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"We are women - we are men - let’s start again" Painting

Antonino La Vela, Italy

Painting, Oil on Canvas

39.4 W x 19.7 H in

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Women and men basic differences. Start from that, let’s start again from the beginning

Year Created:

2015

Subject:
Styles:
Mediums:

Multi-paneled Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 19.7 H x 1.6 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Antonino La Vela

About the Artist

Antonino La Vela

Italy

ARTIST | WRITER | INDEPENDENT RESEARCHER

I am an Italian artist, writer, and independent researcher whose work explores the relationship between visibility and invisibility across personal, social, political, and ecological landscapes.

Much of contemporary art tends to define artistic identity through recognizable visual languages, recurring aesthetics, or biographical categories. While these approaches can be valuable, I am interested in a different path. I do not see artistic identity as something that should be confined within a stable visual formula or a fixed set of subjects. For me, such expectations risk limiting the very freedom that art makes possible.

Rather than building a practice around a recognizable aesthetic signature, I work from a conceptual framework centered on visibility and invisibility. This perspective allows me to move across different media, subjects, and territories while remaining rooted in the same investigation. Whether I am working with painting, writing, dialogue, or site-specific interventions, I am asking variations of the same question: what remains unseen, and why?

Working through painting, site-specific projects, and writing, I investigate the hidden structures that shape what societies choose to see and what they allow to disappear. My practice is driven by an interest in memory, environmental change, identity, collective trauma, and the fragile connections between people, places, and systems.

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