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Whore or Nun Painting

Lawrence Burrow

United Kingdom

Painting, Acrylic on Canvas

Size: 20 W x 24 H x 1 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Nuns become whores, whores become wives, wives become nuns . . . whichever we are, we all get by.”

Year Created:

2011

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

20 W x 24 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Artist’s Statement by Lawrence Burrow. In this collection my focus has been on the connection between the skills people hold and their recreational activities. The images which I have retrieved to use in this body of work are those which have collated in my imagination because of their colour, shape or symbolic nature. My work is built on a desire to express my passion for every element which I absorb on my journey through the normalities of everyday life and I use the emotions which are inherent in human nature to inspire my paintings. ‘War baby’ is an example of how ignorance within individuals breeds fear within society, which leads to violence. This chain is expressed in the fear of the figure, who has had to protect herself from cruelty which has been caused by the ignorance of others whom she has been in contact with her whole life. The figure is walking away from this violence with her baby, who she is protecting with her life. She is walking into the sun and a better life; free of ignorance. Once you go past the initial amusement of ‘Friday Night (Can’t Wait)’ and begin to understand the excitement and compassion of that captured moment it makes me excited because it reminds me of prosperous times when Friday was the day that girls finished their factory work early, and the boys finished their shifts down the pit. They all met up to enjoy themselves and look forward to the weekend, allowing themselves to forget about work until Monday. Something which was not realised by myself until I had completed the body of work was the religious theme that runs through the images, they have become metaphorical in a sense that they are held together almost like a stain glass window which would be found in a church because of the shapes and colours which form the images. The idea of religion is something which affects not only mine, but everybody’s lives, whether they are followers or not, because of its positive and destructive impact that it can have on society, which is why it is so prevalent in my work. Every day we capture moments almost subconsciously which assemble in our minds as images, sounds, smells and vibrations. My work is the experience of how these moments are collated automatically in my mind; when they are constructed on the canvas it allows me to de construct them in my mind, which allows me to realise what they mean to me.

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