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View In My Room

as it was in the days of noah Painting

Jesutofunmi Ogidan

Nigeria

Painting, Oil on Canvas

Size: 30 W x 36 H x 0.1 D in

Ships in a Tube

SOLD
Originally listed for $650

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ABOUT THE ARTWORK

3 years ago, we were locked up during what was one of the most challenging periods in human history, and up till now not much has changed. It's almost apocalyptic out there only this time, there are actually humans roaming the streets. Makes me imagine what it would have been like during major challenging stretches in history; the world (and civil) wars, the Great Depression, the Spanish flu, and well this localized apocalypse. Probably this was how Noah felt in that ark stuck and wondering maybe the floods gone maybe the coast is clear and had to get a bird to bring word. But really the more things change the more same they become.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

30 W x 36 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As an expressive artist, I seek to explore profound themes surrounding human experiences, relationships, and our connection to humanity through portraiture. While trained primarily in oil painting techniques, I now work predominantly in acrylics due to their versatility and ability to seamlessly layer vibrant colors. My portraiture process begins by observing and building rapport with my subjects to gain a deep understanding of their personality, character, and essence. I photo document our interactions and conduct detailed life drawing sessions to examine facial expressions, body language, and how light interacts with the physical form. In the studio, I then layer acrylic paint over a slow, deliberate timeframe, aiming to realistically depict outward appearances while simultaneously expressing inner emotions, thoughts, and psychology. Technically, I am fascinated by manipulating acrylics' quick drying time to my advantage, building up thin glazes and layers that allow me to gradually model forms, imbue skin with a tangible sense of depth and memory. Compositionally, striking tight framing and exclusion of non-essential details emphasize intimate glimpses of human intimacy, connection, and subtle emotive moments between figures. The central theme in my work is exploring humanity - our relationships with each other, experiences of the human condition, and how we interact with and are shaped by our ever-changing environment and society. I seek to depict thought-provoking snapshots that question societal norms and elicit contemplation around what it truly means to be human. My portraits aim to evoke empathy and prompt viewers to reflect on profound aspects of human existence, psychology, and our shared nature. It is my goal as an artist to cultivate vulnerability in both my subjects and audience while using portraiture as a vehicle for insightful commentary on the human experience. Through intimate glimpses and delicate layering of paint, I strive to convey universally powerful yet privately felt revelations about intimacy, empathy, and our profound yet fleeting moments of connection and understanding as humans.

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