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from the KRYPTA series Lâmina 1 (Imaginäre Grösse) Painting

Juliet Vles

Switzerland

Painting, Acrylic on Paper

Size: 169.3 W x 94.5 H x 2.4 D in

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This artwork is not for sale.

3115 Views

49

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Lâmina 1, created in 2005, was the first artwork and as such the matrix of the brainscapes cycle, which later splitted in the abstract Krypta series and the figurative/satirical transCerebral work. Technical information: Because of its weight and dimensions, this artwork has to be shipped in several pieces. The potential buyer should be willing to reassemble the picture by his own means. Of course the artist will furnish detailed instructions.

DETAILS AND DIMENSIONS
Multi-paneled Painting:

Acrylic on Paper

Original:

One-of-a-kind Artwork

Size:

169.3 W x 94.5 H x 2.4 D in

Number of Panels:

2

SHIPPING AND RETURNS
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Juliet Vles is an European multidisciplinary artist, born in 1950 in the Netherlands, of Swiss-French nationality and actually living and working in Switzerland. Essentially an abstract painter and sculptor, whose work is mainly to be found in arte povera and minimal art collections, her artistic interests also include installation work, drawing and digital painting. The works of the Krypta series, half-painting half-sculpture, are geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that does not seek to depict reality, nor even its abstraction, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence. Formally, the hallmark of Vles’ artwork is the unusual combination of its sober, geometrical underlying structure and the multilayered, rough texture of the painted surface. Although often shown in exhibitions featuring Concret Art, her work owes more to the Support/Surface movement than to formal Constructivism. In her recent work, the artist increasingly abandons the notion of "making images" and rather sees her wall sculptures as an extension of architecture - expanding the supporting wall by an additional physical and esthetical dimension. In 2017, the artist started working on a series of reverse glass paintings, revisiting the glass sculptures and installations she created between 1997 and 2003 and drawing on the technical experience she acquired during that period. For the GLASSWORKS please see

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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