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geometric and optical series grey Painting

Adriana Ablin Abstract Painter


Painting, Acrylic on Canvas

Size: 11.8 W x 9.4 H x 0.4 D in

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About The Artwork

This particular series is called Moiré or moiré and refers to a type of visual interference or geometric effect that occurs when interacting or overlapping two types of frames or patterns. The noise caused by the superposition of the same generates a new reason that is considered a defect in the graphic printing techniques. My work develops between painting and design. It could be defined as a digitally painted image or a painting that looks like a digital image. It is an image in the interstice of two languages. The digital image crystallizes in the painting conserving its pregnancy, simplicity and structure for the observer. Color is the narrative axis of my work and the object of my exploration. My painting is part of the field of abstraction or geometry, aware of the legacy of modern movements of the twentieth century, its poetics, languages ​​and adaptations. I recognize myself within those guidelines, trying perspectives or new readings. Therefore, I understand painting as a space for reflection, an open, constant dialogue that challenges and discusses itself. Axes of interest: Color as a phenomenon of perception, color as a relation; the flat paint and of net edges; abstraction and geometry; the rhythmic series; unity and multiplicity; the spatial and spiritual dimension of color; the relationship between color and music

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:11.8 W x 9.4 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Visual Artist, Graphic Designer. Color is the narrative backbone of my work. I understand color as the expression of a bond, a relationship of concomitance. Remove the manual gesture to emphasize a perceptual quality optics. I use as constants, repeat operations, rotation and distortion. Interested rescue what Gestalt defined as pregnancia, sharp image as it exposes faults of perception. For example optical illusions, creating shapes and colors of unstable appearance, which become background and vice versa or that seem to compose new figures, or appear to move. I think each painting accompanied by another, as part of or within a larger sequence, to generate feelings, climate, or an atmosphere of connections open to interpretation. Adriana Ablin was born in 1977 in Buenos Aires, Argentina, where she lives and work. In 2001 she Graduated from Escuela Nacional de Bellas Artes Prilidiano Pueyrredón IUNA and in 2006 graduated as a Graphics Designer. Attended workshops of painters Miguel Dávila and Jorge Demirjián. Between 2009 and 2010 she went to Tulio Sagastizábal´s critique group. In year 2000 she began teaching in her private studio in Montserrat and since 2009 she moved to Retiro to continue teaching. Since 2001 she teaches Morphology at the Graphics Design Carrer in Buenos Aires University, UBA. In 2006 coordinated Apice Art, a project involving various emerging artists, whose goal was to create a space that allowed them to display, disseminate their work and liaise with other viewers and artists. She continues the development of her painting and participates in Group and Solo exhibitions.

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