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many skies ago, geometric dystopia Painting

Jessica Moritz


Painting, Found Objects on Wood

Size: 11.4 W x 22.4 H x 0.8 D in

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About The Artwork

After two years of shuffling inside and out, physically and mentally, this shape became my symbol. As if every time I was looking up and wondering for some enlightenment to explain the situation. the many restrictions that surround us during this era allowed me to think of colors as a mindscape, a little parenthesis, a dystopian universe that makes me feel home and grounded no matter what is happening around me. During my last year at the studio, I was trying to find a compromise between painting and sculpture. Ideally, I wish to be able to cut in colors but also shape them. In my practice, it is translated by drawing, and scaling them to connect with the viewer. this shape has been very meaningful in the last two years. the observation of light, constantly, from dawn to dusk, and capturing moments of enlightenment to be sure to remember. I wish the viewer can find some relief and fit their own escape in this painting-sculpture, as a portal to their consciouness and unconsciouness. the more improtant connection we need is within. pigments and acrylic on reclaimed wood 29x57x2 (cm)

Details & Dimensions

Painting:Found Objects on Wood

Original:One-of-a-kind Artwork

Size:11.4 W x 22.4 H x 0.8 D in

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French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008.  She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds  utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material.  She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.

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