"see116" Painting
Painting, Oil on Canvas
17.9 W x 20.9 H in
Ready to Hang
$945
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“To exist is to keep moving, even before the way forward becomes clear.” Muted greens, ochres, whites, and grays gather into a compact, almost bodily formation. The figure-like mass seems to hesitate and advance at once, carrying the weight of what has been lived while still pressing toward what lie...
Year Created:
2017
Subject:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
17.9 W x 20.9 H x 0.8 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
South Korea.
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“For me, painting is a space where I can step outside a world of absurdity and oppression, and enter a deeper place within myself.”
Seungho Jang is a South Korean abstract painter exploring how to remain fully human within structures shaped by competition, conformity, and efficiency. For him, painting is not representation, but a space where sensation, memory, and existence can resist being reduced to function.
His layered surfaces emerge through repetition, dripping, erasure, accumulation, and spontaneous gesture. These marks are not decorative; they are traces of pressure, vulnerability, resistance, and survival.
Nature is central to his work—not as a subject, but as a mode of existence. Human beings are part of its fluid and constantly transforming order. Through fragmentation and reconstruction, Jang explores how life continues to reorganize itself within structures that attempt to contain it.
His paintings return to a persistent question:
How can we preserve the complexity of being in a world that continually tries to reduce it?
For Jang, painting itself is one possible answer: to sense one’s existence, resist becoming merely functional, and continue to live as oneself.
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