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untitled (on the back of my head) Painting

Blanka Adamus

France

Painting, Oil on Canvas

Size: 38 W x 46 H x 2 D cm

Ships in a Box

SOLD
Originally listed for $550

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Woman looking back, or is it me looking in the mirror ? Oil on canvas

Year Created:

2021

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

38 W x 46 H x 2 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Blanka Adamus (born 1988, Cracow, Poland) is an artist whose creative journey reflects a deep curiosity and versatility. In 2007, she moved to Paris to pursue her studies, initially delving into philosophy before shifting her focus to Plastic Arts at Sorbonne University. Although she began with a strong interest in photography, Adamus ultimately discovered her true passion in painting. She is particularly drawn to oil painting for its capacity to create rich textures and vibrant colors, which enable her to explore and express her emotions freely. Her signature style is characterized by visible brushstrokes and an intentional sense of incompleteness, inviting viewers to participate in the creative dialogue of her works. Adamus's paintings often center on the human body, skillfully blending figurative and abstract elements. Her compositions integrate flesh, light, and everyday objects, weaving them into unified yet unconventional narratives. Her tactile approach highlights the materiality of her medium, emphasizing techniques that evoke form without adhering to rigid logic. Instead, she embraces subjective associations and visual parallels, encouraging viewers to forge their own interpretations and emotional connections to her art.

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India Balyejusa, Senior Curator