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View In My Room
Painting, Acrylic on Canvas
Size: 27.6 W x 39.4 H x 1.6 D in
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1447 Views
7
Artist featured in a collection
acrylic on canvas This work I have painted in year 2007. It has been exhibited in many solo and group exhibition, also on my favorite/first important exhibition. Here is a text writen by art historian Lucija Švob for that exhibition and about this painting amongst others exhibited. AWARD FOR THE BEST GRADUATE „THESIS“ (WORK OF ART) Solo exhibition in Gallery Banfi, Zagreb, Croatia / 02-2008 To long for something so strongly, knowing that in spite of all possible impatience and hard work it is what we have to get to instantly. These are the words, I would use to describe paintings and the whole working atmosphere we come across with Lena Kramaric. She recognised working material on the road, in the magazine, talking to people, browsing the fairy tale or watching the movie, she wants a new canvas and be assured she wants it now. She is impatient, grabs a pencil, gets the brushes out and squeezes the paint out. The first sketches are already there. This cacophony in pencil transforms itself into strongly shaded paintings that definitely leave a lasting impression on you. All are painted on the big format (100x150) and they tell the stories in their own right. Each painting bears several important components such as line, colour and the group of bodies. They are well intertwined. However, due to their vivacity they can live comfortably one without other. The line is advancing, it's dynamic and at the end it closes up a shape or a certain body. As it is so dynamic, the line is simply throwing itself into arms of other lines and shapes. She is the master of the composition and it determines the painting's movement. Then the colour comes onto the scene and it creates space and harmony achieved by the mixture of the shades of hot and cold ones. Then it goes to shock you and leaves you with a strange bitter taste in the mouth with shark contrast colours in different shapes. The colour in Lena's pieces of artwork has a multipurpose function. Somewhere it represents a stage with the figures on it and then at times it acts as a background drop where the shapes lean on or simply become its intrinsic part. However, there are times where it is in the function of figures' division zone as they tend to attract to each other because of their colors richness in texture and their vivacity. It is the colour what gives these paintings life, expression and it draws us to it because of its mesmerising effect and boldness, although a great deal of attention was paid to blend it with its teinures and complex pairs. The group of figures is dominating the canvas, with their size, line and no sense approach. No sense approach? Bodies hurdled together, in their imperfect forms, somewhat decomposing, have come together in order to keep themselves alive, not to loose their identity-part of its inner self. Are they part of someone's dream or are they dancing or are they there for the sake of being there, intertwined for someone's pleasure, it's hard to say. As I have said earlier Lena Kramarić finds inspiration in small things, things that you come across in everyday life and sometimes like a child in a toyshop's window, she reaches out to grab that one toy she wants to own. She paints with a degree of anguish though vividly and not forgetting the humour as she awaits patiently for the end result. She is not afraid of change so during the course of her work she often changes ideas, generates new ones, gets rid of the stuff she dislikes and with a dose of courage paints something else. She does not crave for big words with ambiguous meaning full of superlatives. She demands honesty. A quiet moment next to the painting as well as a moment of laughter. Award for the best graduate“ thesis“ (work of art). What award. A golden bowl or what? Who is givning it to whom? What we all expect is that the final piece of wok at the end of her art studies will be her masterpiece. Is that really the case or is it our desired outcome? Lena Kramarić has demonstrated through her exibition that this does not matter to ourselves nor to somebody else hence her exibition is innocent, full of colour, youthful enthusiasm and even child's anger. The award could be the fact that Lena is here and has offered to her nearest and dearest her inner feelings, has revealed her ways of entertainment as well as her moments of solitude, in her thoughts contemplating about her inner self. Lucija Švob also, here is a short text from other solo exhibition - Gallery Mala - Novigrad - Croatia (09-2007) I drew a butterfly that would never take off and I also drew a snail that will sluggishly arrive at the spot where he once only dreamt of. I drew a girl that was bestowed the wings but she does not know how to use them. I still haven't drawn an autoportret of mine as I have not carried out a study of myself. I am a gradute in painting in the class of professor A. Rasić at the educative faculty of the Croatian Art Academy in Zagreb. I completed graphic studies at the secondary school for Fine Art & Design and I took a course in graphic design from „Proanima“ university in Zagreb. I live between Zagreb and Dubrovnik but for the most of the time I live in the wonderland. Exibited works of art saw the daylight this summer in Dubrovnik. Lena Kramarić
2007
Acrylic on Canvas
One-of-a-kind Artwork
27.6 W x 39.4 H x 1.6 D in
Not Framed
Not applicable
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Exploring the world around me in relation to my own inner world in an introspective and autoreferential way I am trying to connect motifs of the real and surreal, of the actual, imaginary and subconscious in the narrative scenes, leaving enough space to observers for their individual interpretation. I reflect while I paint. Preparation for paintings are sketches that emerge inside my head around the clock. When I get hold of my tools I work spontaneously and fast, very often on more works simultaneously. Amongst my works there are those that are obvious and easily comprehensible and yet there are those that are less easily decipherable, there are symbols and elements from the real world that surrounds us, which together make a collage of emotions, states and words. Collage as an art technique is an integral part of my work, as well as drawing, which comes at the beginning and at the end of everything I do. Colour and drawing supercede and complement each other in the working process while the paint roller with white tempera partially annuls them, creating transparency or dimness. Vanishing turning into new creation. A painting is created in layers, using trial, error and success to achieve the desired final effect. Taking off and then adding new layers of colour and drawing, a worn-out surface is obtained which is contrasted by bright details. As in life, in which the most unusual combinations of emotions and sensations coexist simultaneously, my works also contain various mutually opposing elements so it seems that my work is a continual process of transferring impulses obtained from life into my work. Everyday experiences and information are turned into another state of matter. All that is mixed and something new emerges in the form of a painting, sometimes unclear and ambivalent and often unexplained because I move on, in my work as well as in life, undividedly and a bit too fast. Work and life processes are equalized. Private and individual is put above general and collective. I believe that the best way to get through to the observer and to my own self is through a personal prism, which is essential for my overall development as an individual as well as an artist. Female characters have been present in my work since the very beginning and at first glance they are the main figures.
Artist featured by Saatchi Art in a collection
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