vortices of matter Painting

I re-take the "view" as return to nature where man, absent, is not the measure of everything: man not as centre but part of creation. Nature includes all. Recognizable forms, seas, mountains, are dematerialized through transitions which shift the perceptive meaning. Matter changes from a state to another suggesting supposed worlds unknowable to our senses. I trace out vague signs with the pencil and I use, mostly, cold colours. The quasi-perspective view is progressively dissolved by bands of colour, waving, interlacing, dividing among mists of lights and shades. The space ordering occours by links, that is a connection in which each element is subordinated to the other originating tension, action in becoming. In the silence everything composes itself.