what matters most is how well you walk through the fire Painting

My works are earthly, starting with Junkyard Symphony, an approach related to the exterior, ground and waste. The space is increasingly populated by ordinary or current objects, but also by characters. trying to maintain a playful character through representation and recomposition. It passes into another register, the interior, the desires, the lust. but keeping the same horizontal plane.This was the beginning of this personal mythologies, with sincerity, boredom, suffering, desires, or guilty pleasures. Starting with Toxic Desire, I'm more interested in distinguishing my subjectivity and individual development. All the works took shape after personal experiences. From the representations of the bad choices we make through our superficiality and a hedonistic living, to the assumption of this flat existence. We are captive in a sort of limbo of desires. And on this realm I build my works, as a sequential reinterpretation of Hieronymus Bosch's Garden of Earthly Delights.