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Gonzalo Contreras del Solar
Chile
Photography, Black & White on Paper
Size: 19.7 W x 19.7 H x 0.1 D in
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In 2005 year I was trying to survive economically and also prepared four new exhibits to be shown during 2006: Minneapolis, Santiago, Budapest and Rancagua. They took a lot of effort and money; nevertheless, technology helped me reducing costs: I found a gallery in Minneapolis on the Internet and we made all the exhibit arrangements through it. It was along these conversations that we decided to make an audio-visual presentation with a virtual tour prior to the exhibit, and of course borrowing music from The Who. While preparing the audio-visual tour I said to myself: “I’m giving too much time to administrative activities and none to creation (except for the audio-visuals)”, so I decided to go to the field… This waterfall is near Santiago and it is impressive when seen from a distance. There is no trail to get to it; you have to guess the way up, without mentioning the steep slope that has loose rocks, which makes it quite dangerous. I discovered that the waterfall has clear water during the morning, and as the day goes by–and especially if it is a warm day, it tans towards a brownish colour. While taking this photograph, I had the company of four Cóndores, which passed by with their mighty wings, curiously trying to figure out what I was doing. In this case, the colour image had the brownish tint, I decided to make a b&w version…., which became a returning point to b&w photography. Hahnemühle Baryta pigment-based Fine Art paper. Signed certificate of authenticity.
2005
Black & White on Paper
5
19.7 W x 19.7 H x 0.1 D in
Not Framed
No
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Artist Statement I am a passionate photographer, blessed with curious eyes that are constantly amazed by the forms and designs produced by water, and the combination of its temperature and light. No matter how many pictures I take of the same shot, every time I witness a very different expression. My camera and I have been traveling around the world since 1977, registering its shapes and essence, which I have been sharing through large prints, as an homage to its abundance, fragility, and essential existence; trying to convey the feeling I had at the time of the capture, registering most of the time in color and sometimes in monochrome. History It was late 1955 when my eyes peeped at the city of La Paz near the high Andes. Since then, they have learned by capturing sparkles of light. Started at the age of 10 with oil painting and playing in darkroom (full equipment I discovered in my home basement), later taking pictures of what my eyes noticed. Took as much photography courses as I could. Still continue learning and testing/using new digital tools. The influence of Ansel Adams and Vincent Van Gogh work has forged my technique to pursue the chase of Water and capture its beauty, creating a large portfolio during my visits to more than 40 countries. Living in 10 of them and settled at the small town of Calera de Tango in Chile. My work was done using a medium format film camera, and currently with a digital camera. I try to capture the beauty of water in all its forms; denouncing many times the little interest that our civilized world invests in its conservation and preservation. Printing mainly on large size fine art photographic paper, in Color as well as Black & White. The passion of portraying water was funded by me, as well as most of the exhibits I made, except for a few that Sony Chile provided equipment and funding for printing and framing. Water, an important resource, source of life, and protagonist of my exhibitions around the world, that converge between the look of the paused movement, preserving it for future generations, as is the case of certain images that I took at a glacier that has disappeared in less than 20 years. Gonzalo
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