






Photography, Black & White on Paper
63 W x 63 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
This artwork is not for sale.
Artist Recognition
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This work was photographed inspired by the work of Andy Warhol. Using his old-time BIG SHOT camera, with Magic Cubes. Scanning and then transferring to a high contrast image. It was done during the creation of Andy Warhol Superstars Show for Kiasma 2015 Also other sizes rectangle 100x75 1 of 10 ...
Year Created:
2015
Subject:
Styles:
Mediums:
Mediums:
Photography, Black & White on Paper
Rarity:
Limited Edition of 5
Size:
63 W x 63 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Finland.
Need more information?
Contact us.Need more information?
Contact us.Funk Punk (Simón Bergman) is a Chilean-Spanish-Finnish artist-filmmaker whose work ricochets between cinema, street culture and high-voltage pop art. Born in Finland and raised in Chile and Spain before circling back north, Bergman grew up absorbing three visual vocabularies at once—Nordic clarity, Latin colour, Iberian drama.
Film trained his eye, but paint became the loudspeaker. In The New World Order he hijacks real banknotes—USD, Yuan, Pesos—and overprints them with hard-edged graphics, turning legal tender into cultural tender. The currency’s promise of “trust and stability” fractures; what’s left is pure, buzzing commentary on power, fame and the price tags we stick on everything.
“Money is just paper until you charge it with myth,” Bergman says. “I paint to short-circuit that myth and see what sparks.”
Whether staging guerrilla happenings at Kiasma Theatre or cutting award-winning films, Bergman tilts every medium toward the same question: what do we worship, and what does it cost? His latest collection answer by looking you straight in the wallet.
Recognition:
Artist featured in a collection
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