VIEW IN MY ROOM
PRICE REDUCED $50!!!! OR 35% ON OTHER SIZES! I was visiting the Gateway Arch in St Louis and was marveling at the enormity of this structure. I could see an airliner heading toward the area as it made it approach and landing at Lambert airport. I quickly grabbed my camera and wondered if there was any chance I could get the two in the same frame. As you can see, fate was on my side. The only thing that could make this image better would be if the plane had actually flown through the arch and I captured the image. I hope the viewer can appreciate the visual impact this picture shows and it would make a dramatic wall hanging in an office, especially one in the aviation business. This image is available in many sizes as a print from Saatchi.
Photography:Digital on Paper
Original:One-of-a-kind Artwork
Size:11 W x 14 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
George ‘Zip’ André After nearly seven decades as a pilot, serving as an International airline captain, a test pilot at the edge of space, racing and airshows, and combat in the skies over Vietnam, I am fulfilling a long-held dream of making photographic art. Having had a lifetime of viewing the landscape from high altitudes and at great speeds, my photographs are an effort to slow down the passage of time and space; to focus on the architectural details and current condition of those Depression-era structures that are—not coincidentally—about the same age as I am. I favor black-and-white compositions because to me, they more closely represent the feeling of times past; they also distill compositional elements in a way that emphasizes the play between light, shadow, shapes, patterns, and textures. As a child, having traveled west many times with my family, I am drawn to the vernacular landscapes of the route 66 Mother Road environs, New Mexico pueblo settings, and dust bowl survivor atmosphere slowly disappearing from the American landscape. I try to capture and preserve these disappearing fragments not as a documentarian, but rather as a unique individual, passionate about making visible those fleeting photographic memories as I now see them. The other appeal to my lens is an appreciation for the patterns and order of man-made or natural arrangements of repeated elements, symmetric or near symmetric with a strong geometric flavor.
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