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Ball in Goal Photograph - Limited Edition of 20
Brazil
Photography, Digital on Canvas
Size: 31.5 W x 47.2 H x 0.1 D in
Ships in a Tube
Shipping included
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Artist featured in a collection
About The Artwork
- FINE ART PRINTINGS - Canvas: Canson Museum Pro Canvas 385 gsm 100% cotton - Printed: HP Z9+ DreamColor mineral pigment - Made in Brazil Football, also referred to as field football, eleven-a-side football, and originally association football (in English: association football, football, soccer), is a team sport played between two teams of 11 players each and a referee. deals with the correct application of the rules. It is considered the most popular sport in the world, as around 270 million people participate in its various competitions. It is played on a rectangular grass field, with a goal on each side of the field. The objective of the game is to move a ball across the field to place it inside the opposing goal, an action called a goal (European Portuguese) or goal (Brazilian Portuguese). The team that scores the most goals at the end of the game is the winner. * Prints on paper: contact directly by email. (Premium Paper Hahnemuhle RAG 308 100% cotton)
Details & Dimensions
Photography:Digital on Canvas
Artist Produced Limited Edition of:20
Size:31.5 W x 47.2 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Brazil.
Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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Brazil
Photography and conceptual art form a complex pair. If some photographers claim that photography played a mere documentary role, others, on the contrary, point to the use of specific resources, by some artists, which allow the technical image, its visual possibilities and its social meanings to be problematized. I believe that the characterization of photography used by us conceptual artists is, however, accompanied by other considerations that allow us to problematize a relationship that is apparently easy to determine. Thanks to a set of factors, including lightness and fragile material consistency, the decline of the object in favor of attitudes and processes. Faced with the challenge of using matter “in a paradoxical way”, of inventing an art based on the greatest possible economy of means, the conceptual artist uses technical image in accordance with Sol LeWitt's proposition that it is possible to present ideas “through of numbers, photographs or words, or any way the artist chooses, since the form is not important. For me, a photograph needs to have a soul, a voice and overflow with feeling. This is the basis of my photography.
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