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"blackout" Photograph - Limited Edition of 1

Giovanni Perugini, France

Photography, Ink on Canvas

118.1 W x 78.7 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$4,880

Shipping Included

Trustpilot Score

Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


A colossal black object coming towards you at an incredible speed. It will leave you no escape. ...but there's light behind it... This piece can be backlit, the white glow and all the stars will illuminate. The surface is smooth and reflective.

Year Created:

2013

Subject:

Mediums:

Multi-paneled Photography, Ink on Canvas

Rarity:

Limited Edition of 1

Size:

118.1 W x 78.7 H x 1.2 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Giovanni Perugini

About the Artist

Giovanni Perugini

France

Born in Italy in 1970. I studied literature in Rome, surrounded and immersed in classical art and architecture. I worked in the Archaeological Museum of Sperlonga and have been captivated by the greatness of classical art and the power of mythology. There, I have learned the principles of sculpture and restoration: recreating an object from its fragments is an experience that marked my life as an artist.

I can't limit my expression to a specific material, support or technique. I often use wood, fabric, paper, wax, prints, Plexiglas, resins and metal, or photography.

I like transfigure elements of reality into symbols, in a sort of restoration and recreation, leading several possible interpretations.

The appropriation of certain objects, or their creation, are a similar approach of decontextualization, which proposes a reflection on the context, surrounding the work itself.

Nothing is fortuitous, I proceed by synthesis and subtraction, eliminating unnecessary material and ideas, and trying to avoid forms and concepts that are not stimulating.

My work is to arrange elements, images and evidence of reality, and attributing to the resulting object the status of a real and tangible object.

Recognition:

  • Artist featured in a collection

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