0 Views
0
View In My Room
Sam Faulkner
United Kingdom
Photography, Color on Paper
Size: 16.5 W x 23.2 H x 0.1 D in
Ships in a Tube
Shipping included
Trustpilot Score
0 Views
0
Printed on Hahnemühle German Etching paper, known for its distinctive texture and warm tone. This paper was selected for the Somerset House exhibition of Unseen Waterloo due to its matte finish, which creates a painterly effect ideal for these images. The paper’s texture enriches colours and deepens blacks, giving a handcrafted quality to each print. Unseen Waterloo is a haunting exploration of memory and absence, focusing on the forgotten soldiers of one of history’s most iconic battles. Photographer Sam Faulkner shifts the lens from Napoleon and Wellington to honour the nameless men erased by history. Each portrait is a re-imagining, created on the battlefield with meticulous attention to historical detail. The portrait of the Capitaine, 8e Régiment d’Infanterie de Ligne captures the authority and solemn responsibility of a seasoned officer leading his men into battle. The Capitaine held a pivotal role in maintaining order and morale amidst the chaos of war. His gaze conveys both the weight of command and the personal courage required to face the uncertainty of combat. Through this depiction, Faulkner draws attention to the individual burden carried by officers who were expected to lead their troops. With no photography from the time, Unseen Waterloo imagines what could never be captured. Through re-enactors in meticulously researched uniforms, Faulkner reclaims the humanity of those lost to history. Isolated against stark backdrops, the portraits focus on the emotions of soldiers—courage, fear, and quiet strength. First exhibited at Somerset House for the bicentenary of Waterloo, the series invites reflection on how we remember conflict and the ordinary lives lost or forever changed. Accompanying the series is a book that delves deeper into the creative process and historical context behind these powerful portraits. Faulkner’s work is not just photography—it’s an act of remembrance, asking viewers to reconsider the personal cost of war.
2009
Color on Paper
15
16.5 W x 23.2 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Please visit our help section or contact us.
United Kingdom
Sam Faulkner is a London-based photographer known for his distinctive approach to both fine art and documentary photography. His work began in 1994 with a pivotal reportage project in Afghanistan, which earned him The Sunday Times Ian Parry Scholarship. Sam’s early work focused on exploring the human condition, capturing shared experiences across diverse cultures, often in conflict zones or challenging environments. His ability to document the raw reality of human life in extreme situations marked him as an important voice in the world of reportage photography. Faulkner’s best-known fine art project, Unseen Waterloo, re-imagines soldiers of the Battle of Waterloo through a contemporary lens. This series, exhibited at Somerset House in London, presents haunting portraits of re-enactors on the battlefield, exploring themes of memory, history, and the personal cost of conflict. The project was an exploration of how we remember wars and those who fought in them, particularly through the medium of photography. Unseen Waterloo challenges the way conflicts are visually represented, focusing on the individual soldiers rather than the grand narratives of war. Sam’s fascination with the breadth of human experience extends to other areas of his work, including his Cage Fighter series, which captured the intensity and vulnerability of MMA fighters immediately after their bouts. This series, much like Unseen Waterloo, is concerned with documenting the human condition in moments of extreme physical and emotional strain. In both projects, Faulkner has employed a meticulous approach to portraiture, focusing on the raw, unfiltered aftermath of intense experiences. Faulkner’s early work, strongly influenced by the traditions of black-and-white reportage photographers like Henri Cartier-Bresson and Robert Capa, gave way to more controlled, studio-based photography as his career evolved. His time in the fashion world, particularly alongside Mario Testino, played a crucial role in shaping his approach to portraiture. This experience helped him blend the spontaneity of reportage with the precision of studio work, creating a unique visual language that spans both commercial and fine art photography. His work has been widely exhibited, including at the National Portrait Gallery, Brighton Photo Biennial, and Paris Photo.
We deliver world-class customer service to all of our art buyers.
Our 14-day satisfaction guarantee allows you to buy with confidence.
Explore an unparalleled artwork selection by artists from around the world.
We pay our artists more on every sale than other galleries.