228 Views
1
View In My Room
Photography, Digital on Paper
Size: 48 W x 31.9 H x 0.4 D in
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228 Views
1
Artist featured in a collection
ALSO OFFERED IN A SMALLER PRINT SIZE LIMITED EDITION. 61CM X 41CM / 24” X 16" PLEASE ASK FOR CURRENTLY AVAILABLE EDITION NUMBER AND PRINT PRICE. ______________________________________________________________________________________________ ‘The only desert’ in the United Kingdom, Dungeness, an exposed headland jutting out into the English Channel on the far south east coast of the county of Kent, is one of the largest areas of shingle in Europe and a flat low-lying promontory of international conservation importance. Arriving at Dungeness, the nuclear power station, built in 1983, dominates a unique landscape described variously as post-apocalyptic and somewhere like the Wild West. The sense of space and emptiness is immediately noticeable and felt. Dotted around the headland are traditional cottages set amongst contemporary residential conversions, the decaying remains of yesterday’s fishing industry and the huts and containers used by today’s fleet of fishermen. Curious buildings and structures betray the area’s location as a guardian and outlook for shipping travelling through this busy and crowded stretch of sea between England and France. Dungeness has featured on the cover of a Pink Floyd album and in a Lighthouse Family video, was the home of the art house film-maker Derek Jarman in the 1990’s and plays host to a third of all the plant species found in the British Isles.
2017
Digital on Paper
8
48 W x 31.9 H x 0.4 D in
Not Framed
Not applicable
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The writer G.K. Chesterton wrote, “True travellers let the experience of a destination come to them. The traveller sees what he sees. The tourist sees what he has come to see”. My creative approach is committed to engage with and show the world as I find it and to make images, with my own visual ideas and style, from whatever it is that I discover. I have always worked on location. Being in a studio doesn’t energise or excite me. I enjoy the quality of exploration and discovery you experience with location work, coupled with sometimes unpredictable and changing light and weather and, of course, also with the variety of people you might encounter. There’s an element of ‘flying by the seat of your pants’ that I find very addictive and, after five decades in photography, it still excites me when I find and make an image and all the unpredictability, light and weather is on my side. One of the consequences of where I was born and of my early childhood is that I have never felt that I have any real roots anywhere. As a photographer, being rootless has been a benefit to me. It has fuelled and sustained my wanderlust - travelling is when I feel most alive, most aware of the place I am in, most open to the possibility of the present. When I arrive in a new place (to me), I try to understand what the place is ‘giving’ me visually and as I start photographing an idea or approach takes shape. The type of photography that has always primarily interested me is documentary photography. If forced to put a label on myself, I describe myself as a documentary/fine art photographer. My limited edition prints have been acquired by a wide range of private Collectors. In the US - New York, California, Washington DC, Massachusetts, Illinois, Florida, New Jersey, Oklahoma, South Carolina, Texas, Connecticut, Tennessee; in Europe - the UK, Switzerland, the Netherlands, Austria, France, Malta; and in other countries around the World - Canada, New Zealand, South Africa. Further details on my personal site. I currently live on the Greek island of Tinos in the Northern Cyclades. Over the last five years, I have completed two bodies of work on the island, ‘Alternative Facts’ and ‘Rock’, that I am currently submitting to publishers as photobooks and presenting as limited edition prints.
Artist featured by Saatchi Art in a collection
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