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View In My Room

"Floral-scope Study I" Photograph

Pammy Chen

United States

Photography, Color on Other

Size: 30 W x 45 H x 0.1 D in

Ships in a Tube

This artwork is not for sale.

234 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

An on-going photo series dedicated to the preservation and showcase of nature in its purest form. Inspired by the changing seasons. Florals and foliage are chosen during their peak blossom and are handled with care to be documented in great detail. Hopefully this intimate experience will inspire vie...

Year Created:

2017

Subject:
Mediums:

Photography, Color on Other

Rarity:

One-of-a-kind Artwork

Size:

30 W x 45 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

As a young girl, growing up in DC, my sisters and I would frequent the Smithsonian museums where we would spend time relishing and lingering in front of noteworthy and inspiring works in the Freer and Sackler, National Gallery of Art and Portrait Gallery. I was exposed to famous works of art at a young age. Some resonating pieces include works by James McNeill Whistler’s "Peacock Room” and Nam June Paik’s “Electronic Superhighway”. For the first 17 years of my life, I experienced the world with only near sighted vision. I became accustomed to using the digital camera resourcefully, often as a magnifying glass to see. I took my camera everywhere with me and it quickly became my lifeline. It is my preference to see directly through the lens and I adopted this shooting method very early on. I like to use the camera as a tool to explore details and show segmented parts of a larger picture. I also like to view each photo I take as a singular work, however also as apart of larger collections, representing larger ideas. Some themes that I continuously discover and rediscover include the immortality of florals, motion at night, animals in flight, dreams, nostalgia and romance. I also like to experiment with the crossing of stylistic and compositional elements such as symmetry, pattern, light, shadow and contrast. I will constantly explore colors and textures, showing how they interact, where they intersect and how they complement one another. I am partial to a color palette that includes cool, blue hues, light purple and pink combinations, warm golden shades and also bold, neon tones against a dark black backgrounds. My father, an independent filmmaker has always used parts of our family home as a set or storage for props and equipment. And thankfully so, because cameras were always available, there was never a shortage of computers around the house, batteries and memory chips were always ready to go. My mother, on the other hand dedicated herself to documenting every moment of our childhood and because of her, our family has a large archive of photo albums and memories to last us a lifetime. These printed photographs were often sent overseas to connect with family I’d never met until I began spending many summers abroad to learn more about my Asian culture and heritage.

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Erin Remington, Curatorial Director