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Frozen Woodland Lake (Limited Edition 1/25)
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Frozen Woodland Lake (Limited Edition 1/25) Photograph

Paul J Bucknall

United Kingdom

Photography, Color on Paper

Size: 16 W x 24 H x 0.1 D in

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About The Artwork

A surreal expressionistic artwork of small trees and reeds by the edge of a frozen lake, portraying the light airy beauty of shapes and patterns that can be seen in winter landscapes. The image was observed in rural Lincolnshire, England, Great Britain, and is one of two pieces that I produced during my visit to the lake on that frosty uplifting day. I hope the viewer enjoys the interplay between the water's edge the reeds, shrubs and the distant woodland. I am honoured that my imagery is now sought after and reaching a global market and is used in many commercial projects particularly the book cover market. The image is an unmounted authentic work produced to the Giclée established fine art standard of high quality digital printing. The work will be printed onto a Fuji Fine Art Fibre Baryte Gloss, a paper perfect for professional and exhibition quality art prints. The Baryte in the paper gives superb colour rendition has the look and feel of traditional silver halide photographic paper. A bright white gloss finish with excellent longevity a truly archival material. An image size of 24x16 inch, with a white one inch white border surround for ease of mounting (making the overall print dimensions 26x18 inches). The artwork comes with a certificate of authenticity which will be signed and numbered with the edition size. Limited edition of 25 that will not be exceeded in the stated size and materials

Details & Dimensions

Photography Print:Color on Paper

Artist Produced Limited Edition of:25

Size:16 W x 24 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As a multi disciplined international award winning photographer who strives for continual perfection and that perfection is just out of reach, elusive. Each image I believe can always be improved; can be changed; can have a deeper meaning hidden beneath the surface and it’s my intention to draw the viewer into that image. I draw inspiration from past generations of artists. I particularly like the darkness and tension within Caravaggio’s works, the technicality of Leonardo da Vinci and the abstraction of Vincent Van Gogh. Some of these ideas are easier to transfer into our medium due to the digitalised age. As a photographer we are currently in times where we can express ourselves through our work by changing and advancing our styles. Now forward thinking stock libraries like Arcangel are a portal to creativity where the only limits we have are our own imaginations. I often use Fibonnaci’s divine ratio, consciously or subconsciously, within my work. This theory runs as a constant throughout the universe being seen in nature, patterns and shapes. I have a real affinity for travel and I have been fortunate to visit over 70 countries. I have been able to interact with different people and cultures through these experiences. This travelling has helped me develop a style of observational photography, sometimes by watching an event unfold and second guess the subject. It has helped me with my curiosities about the world and seems to draw me in further by looking at the complexities and interactions surrounding life. It has opened up my senses by allowing me to see great cities to small villages; visiting ancient monuments; to viewing a solar eclipse; to feeling the force of nature through the sea and feel the power of hurricanes. I have been widely published in travel and tourism guides, books, magazines and billboards

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