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Heaps of Industrial Sand (102x102cm) Photograph - Limited Edition of 25

Tom Hanslien

United Kingdom

Photography, Analogue on Paper

Size: 40 W x 40 H x 0 D in

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$2,156

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About The Artwork

Quite a few years back - before I converted from analogue to a digital capture I spent many days wandering around the East London Docklands. There was something about the contrast between the very modern Canary Wharf area with it's very modern architecture of skyscrapers, polished steel and glass, and the old weathered unkept houses, commercial buildings and industrial estates. These heaps of industrial sand used for making concrete I came upon whilst walking along the River Thames on the Greenwich Peninsula. It was around 2005 and shot on my old trusted Bronica SQ and transparency film.

Details & Dimensions

Photography:Analogue on Paper

Artist Produced Limited Edition of:25

Size:40 W x 40 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a freelance photographer based in London. I enjoy a big love for travelling, which not only takes me around the world – with many great new images as a result – it's also a continuing source of inspiration which influences and feeds my passion for photography. With a background that started with drawing and illustration, which in turn lead to graphic design I believe the foundation of the way I compose my captures is very much affected by this. I often look for very graphic compositions with strong lines, large areas of strong colour, negative space and pushing the boundaries of traditional rules of composition. There is also a different approach to the way I like capturing my images when it comes to more travel reportage images. Still looking to isolate my subject, either by using shallow focus, leading lines, concentrating of light, picking out splashes of colour, and other techniques. Most images are very much as a spectator, fly on the wall if you like - I generally don't like posed images. I feel I get a truer picture when I don't interfere, but also I'm not hiding in the distance with a tele-lens - I like to be close to my subjects in plain sight.

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