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Just when you want to wiggle your hips - Limited Edition 2 of 8 Photograph
Netherlands
Photography, Pinhole on Aluminium
Size: 59.1 W x 39.4 H x 0.2 D in
Ships in a Crate
Shipping included
About The Artwork
I love Istanbul and I stay there a lot at friends who live in Fener/Balat on the Golden Horn. This pinhole photograph has been taken at the Tersane-i-Amire in Istanbul. The title of this work is a phrase of the poem ‘Temporarily Ceasefires’. Tersâne-i Âmire was the Ottoman imperial shipyard, on the Golden Horn in Constantinople (Modern Istanbul). The word "Tersane" is derived from the Arabic "dar al Sina’a" - as is the Italian "Arsenale". The Tersâne-i Âmire was at the heart of shipbuilding and naval governance in the Ottoman Empire. I love this old industrial site and the meditative pose of the cranes taking a rest. I use pinhole photography a lot to reflect upon the concept of time.
Original Created:2015
Subjects:Places
Styles:Fine ArtConceptualFigurative
Mediums:PinholeBlack & WhiteC-type
Details & Dimensions
Photography:Pinhole on Aluminium
Artist Produced Limited Edition of:8
Size:59.1 W x 39.4 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
Iconic, eye-catching yet serene, high-quality artworks. Works of Brigitte Spiegeler are in various international private and company collections. Participated in the Venice Biennial 2017. ‘Brigitte Spiegeler’s work is about an imaginary time, which exists only in our minds: a timeless, internal time. Like a memory: vague, with reappearing details (the memory is engraved in the present moment, but in the same time immensely distant and imperceptible (memories belongs to the past). The blue colour gives a different relation with the time: it is a modern time, with abstract forms, superimposed on a fixed past, a complement to what already existed.’ (Quote by Philip Peters in the publication ‘Byzantine Blue’)
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