VIEW IN MY ROOM
“Kushti" (Mud Wrestling) as a sport is not new to the world. It has been widely covered by several eminent photojournalists. I wanted to shoot this sport in a more glamorised fashion than the documentary style aesthetic that I have seen so far. In a style akin to how, many of the more contemporary and popular sports such as cricket and tennis are treated in India. The daily routine of the “Pahelwaans” (the sportsmen), that dedicate a large proportion of their lives to the sport is absolutely commendable. Rising at 3am everyday to exercise, these Pahelwaans follow a strict daily routine involving prayers, workouts, regimented meals and an almost military level discipline of conducting themselves in life. From afar when you watch these sportsmen, the attributes of identity, place, rootedness and belonging become completely apparent. But at the same time, when one looks closely and relates it to the global influences that have occurred in India regarding sexuality, religion and technology their life seems to be one of isolation and alienation. Kushti is a very strong contact sport as is apparent from these images. My first reaction when I walked into the “akhada” (gym) and saw so many almost naked men, was of a slight discomfort. But they carried on with their affairs without being bothered about their attire. The routine of “maalish” (massaging your fellow Pahelwaan with oil) appeared very sexual to me at first sight. But the Pahelwaans were casual about it and went about rubbing each others bodies with oil without concern. The sport itself involves grabbing the “kaccha” (piece of cloth wrapped around the groin) of your opponent and somehow putting him down on his back on the ground. The process of oiling and smearing yourself with the sand appears to be in order to reduce friction so that the opponent has a very difficult time grabbing you to put you down. As a result the “kaccha” is the only place where one can get hold of his opponent. Needless to say, during the fight there is a lot of contact between opponents which, given the prevalent outlook today in the Indian society, might just invoke a section 377 against them. What impressed me the most was the fact that, despite being aware of all such misconceptions around sexuality and religion, these sportsmen (most with minimal education) hold on to their independent beliefs and revere the sport for virtuous values it imparts. Few sports in India can deliver such innately rooted values of self discipline and humility. In rural towns and villages, parents continue to send their young wards to exercise with the Pahelwaans, with an expectation that these values will be passed on.. And the Pahelwaans selflessly do all that is expected - with pride and without charge.
Photography:Color on Paper
Artist Produced Limited Edition of:15
Size:18 W x 12 H x 0.1 D in
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from India may experience delays due to country's regulations for exporting valuable artworks.
My work explores the intersections between religion, spirituality and sexuality often questioning our current moral value system that seems to have been established through a mass blind acceptance of a normalised truth claim . Using colours and symbolisms, inspired from historical texts, I further my narratives by developing staged scenes to create a tension between the real and the fictional. By blurring the lines between the real and the imagined I try to force the viewer to ponder over alternate interpretations of their beliefs and possibly invite them to understand the duality of moral values. That there is no black and white in morality and that right and wrong is but a mere perspective which can shift with wisdom acquired by knowledge.
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