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Last Days Of Summer (Limited Edition of 10) Photograph

Paul J Bucknall

United Kingdom

Photography, Color on Paper

Size: 36 W x 24 H x 0.1 D in

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$1,070USD

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About The Artwork

Intense rich glowing sunlight of late afternoon on a summers day, looking past tree trunks of a small copse towards a spectacular sunset. The technique involves the overlaying of textures to emphasise the radiance of this conceptual piece. The image is an unmounted authentic work produced to the Giclée established fine art standard of high quality digital printing. The work will be printed onto Hahnemühle Torchon 285gsm fine art paper. The superior matt finish combined with the bright white art paper structure allows outstanding print results, with bright colours, perfect reproduction of detail and deep blacks and is perfect for colourful photography inspired artworks. The Torchon paper is acid free making it extremely age resistant and is characterised by a very special tactile slightly rough feel. This premium paper produces outstanding print results, giving a real sense of depth to the work. This art paper is specially designed for fine art use. An image size of 36x24 inch, with a white one inch white border surround for ease of mounting (making the overall print dimensions 38x26 inches). The artwork comes with a certificate of authenticity which will be signed and numbered with the edition size. Limited edition of 10 that will not be exceeded in the stated size and materials

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:10

Size:36 W x 24 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As a multi disciplined international award winning photographer who strives for continual perfection and that perfection is just out of reach, elusive. Each image I believe can always be improved; can be changed; can have a deeper meaning hidden beneath the surface and it’s my intention to draw the viewer into that image. I draw inspiration from past generations of artists. I particularly like the darkness and tension within Caravaggio’s works, the technicality of Leonardo da Vinci and the abstraction of Vincent Van Gogh. Some of these ideas are easier to transfer into our medium due to the digitalised age. As a photographer we are currently in times where we can express ourselves through our work by changing and advancing our styles. Now forward thinking stock libraries like Arcangel are a portal to creativity where the only limits we have are our own imaginations. I often use Fibonnaci’s divine ratio, consciously or subconsciously, within my work. This theory runs as a constant throughout the universe being seen in nature, patterns and shapes. I have a real affinity for travel and I have been fortunate to visit over 70 countries. I have been able to interact with different people and cultures through these experiences. This travelling has helped me develop a style of observational photography, sometimes by watching an event unfold and second guess the subject. It has helped me with my curiosities about the world and seems to draw me in further by looking at the complexities and interactions surrounding life. It has opened up my senses by allowing me to see great cities to small villages; visiting ancient monuments; to viewing a solar eclipse; to feeling the force of nature through the sea and feel the power of hurricanes. I have been widely published in travel and tourism guides, books, magazines and billboards

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