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View In My Room

Linear Perspective Photograph

Jane Trotter

New Zealand

Photography, Digital on Canvas

Size: 34 W x 34 H x 0.1 D in

This artwork is not for sale.

13 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Even from early childhood, the wonderfully intriguing and stimulating Escher drawings with their never-ending staircases or myriad of black and white birds flying in opposite directions would capture my imagination and make me think. ‘Linear Perspective’ is one such ‘visual puzzle’ which I had enor...

Year Created:

2022

Subject:
Mediums:

Photography, Digital on Canvas

Rarity:

One-of-a-kind Artwork

Size:

34 W x 34 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Need more information?

Need more information?

Imagery which challenges creative boundaries and stimulates the imagination has always been at the forefront of my abstract photography. Exploring more unconventional methods of interpretation and presentation, I take familiar, everyday items found around my home and transform them from the ordinary into the extraordinary; this is my ‘Abstracted Reality’. Right from the outset, my photographic vision has been to look at objects with fresh eyes and a new perspective. For me, photography is not so much about artistically recording what is there, but creating something new and different out of what exists already. I want to give new life to a subject, to alter and challenge the viewer’s perspective and to invite a sense of mystery, wonder and intrigue. To achieve this, I made the conscious decision not to heavily manipulate or artificially create my photographs. Having to rely on my own imagination and creativity was invigorating, and through this process, I came to realise how highly I value the truthfulness and authenticity of a photographic image. I don’t want to manufacture my pictures in the computer. Paradoxically, I want my ‘unreal’ abstracts to be as ‘real’ and authentic as possible. The use of colour, bold shapes and patterns, and strong, simple graphic design elements feature strongly in my work. I tend to use colour as a means of highlighting and dramatising shape and form so that each image has a unique signature and presence, managing to blend the mysterious with a hint of the familiar which can’t quite be grasped.

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India Balyejusa, Senior Curator