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Gonzalo Contreras del Solar
Chile
Photography, Black & White on Paper
Size: 47.2 W x 31.5 H x 0.1 D in
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139 Views
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Artist featured in a collection
Continuing with lock down at home was still not able to go out to do photography, so this is garden micro ice images of the entrance flowers. The previous weekend it rained so we had a lot of humidity in the country zone. Early while having breakfast, I noticed that the grass lawn was white. I knew that most of the flowers would have micro droplets of the dew frozen by the below zero temperature. The house entrance is facing South where we have many flowers, so the winter Sun does not appear until mid-morning. This enabled me to have enough light without dark shades, in addition the micro ice would maintain its frozen condition. I was using extension rings, that give you a very small depth of field. There was slight breeze so I could only take one image at the time and could not do Focus Staking to solve the depth of field. However I did try to use the Pixel Shift option of the camera which allows to obtain images with 240 megapixels, but the breeze did affect. The software that merges the 16 images, did notice the micro movement and the resulting image was not of my satisfaction. These are color images of our garden micro ice, that I converted to black and white. Hahnemühle Baryta pigment-based Fine Art paper. Signed certificate of authenticity.
2021
Black & White on Paper
5
47.2 W x 31.5 H x 0.1 D in
Not Framed
No
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Artist Statement I am a passionate photographer, blessed with curious eyes that are constantly amazed by the forms and designs produced by water, and the combination of its temperature and light. No matter how many pictures I take of the same shot, every time I witness a very different expression. My camera and I have been traveling around the world since 1977, registering its shapes and essence, which I have been sharing through large prints, as an homage to its abundance, fragility, and essential existence; trying to convey the feeling I had at the time of the capture, registering most of the time in color and sometimes in monochrome. History It was late 1955 when my eyes peeped at the city of La Paz near the high Andes. Since then, they have learned by capturing sparkles of light. Started at the age of 10 with oil painting and playing in darkroom (full equipment I discovered in my home basement), later taking pictures of what my eyes noticed. Took as much photography courses as I could. Still continue learning and testing/using new digital tools. The influence of Ansel Adams and Vincent Van Gogh work has forged my technique to pursue the chase of Water and capture its beauty, creating a large portfolio during my visits to more than 40 countries. Living in 10 of them and settled at the small town of Calera de Tango in Chile. My work was done using a medium format film camera, and currently with a digital camera. I try to capture the beauty of water in all its forms; denouncing many times the little interest that our civilized world invests in its conservation and preservation. Printing mainly on large size fine art photographic paper, in Color as well as Black & White. The passion of portraying water was funded by me, as well as most of the exhibits I made, except for a few that Sony Chile provided equipment and funding for printing and framing. Water, an important resource, source of life, and protagonist of my exhibitions around the world, that converge between the look of the paused movement, preserving it for future generations, as is the case of certain images that I took at a glacier that has disappeared in less than 20 years. Gonzalo
Artist featured by Saatchi Art in a collection
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