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Mama Africa Photograph - Limited Edition of 10

Diego Cerezer

Brazil

Photography, Digital on Paper

Size: 39.4 W x 27.6 H x 0.1 D in

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$810

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ABOUT THE ARTWORK

- FINE ART PRINTS - Paper prints: Premium Hahnemuhle RAG 308 100% cotton paper - Printed: HP Z9 + DreamColor mineral pigment. - Canvas (direct contact via email): Canson Museum Pro Canvas 385 g/m2 100% cotton - Printed: HP Z9 + DreamColor mineral pigment. - Made in Brazil Endangered animals is an expression commonly used to refer to animal species that are at risk of becoming extinct. This means that, if no measures are adopted, these animals could disappear permanently from the planet. Several factors are related to the extinction of animals, such as habitat destruction, predatory hunting and fishing, invasive species and even natural disasters. In the world, the blue whale, the koala, the polar bear, the African penguin and the African forest elephant are some examples of endangered species. Among the Brazilian species, we can mention the marsh deer, black-faced spider monkey, golden lion tamarin, giant anteater and blue macaw.

DETAILS AND DIMENSIONS
Photography:

Digital on Paper

Artist Produced Limited Edition of:

10

Size:

39.4 W x 27.6 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Photography and conceptual art form a complex pair. If some photographers claim that photography played a mere documentary role, others, on the contrary, point to the use of specific resources, by some artists, which allow the technical image, its visual possibilities and its social meanings to be problematized. I believe that the characterization of photography used by us conceptual artists is, however, accompanied by other considerations that allow us to problematize a relationship that is apparently easy to determine. Thanks to a set of factors, including lightness and fragile material consistency, the decline of the object in favor of attitudes and processes. Faced with the challenge of using matter “in a paradoxical way”, of inventing an art based on the greatest possible economy of means, the conceptual artist uses technical image in accordance with Sol LeWitt's proposition that it is possible to present ideas “through of numbers, photographs or words, or any way the artist chooses, since the form is not important. For me, a photograph needs to have a soul, a voice and overflow with feeling. This is the basis of my photography.

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