VIEW IN MY ROOM
Italy
Photography, Color on Paper
Size: 47.2 W x 35.4 H x 0.1 D in
Ships in a Tube
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A work completely shot in Tokyo. They are all facades of buildings and urban landscapes. Naigai means inside and outside and creates a continuous cross-reference between the exterior of the buildings and the life that teems inside. "In canto XVII Dante is still in the Heaven of Mars when, with Cacciaguida degli Elisei he addresses the complex question of predestination: the prophecies are a perfectly woven plot which, however, does not determine man's actions but only the context in which men act. With Naigai Virginio Favale arrived at his Heaven of Mars. After Shinjuku and the shared dream of a super world with Naigai, we move on to graphic-enigmatic constructions in which, as in a logical-spatial loom, plots and perfectly ordered warps of perfectly designed architectures are woven. There is something ancestral in these futuristic yet archaic visions, prophetic signs traced through a pagan liturgy that alludes to divine omens. And here it is the "weft in that canvas that I placed warp" with which Dante in the words of Cacciaguida deals with predestination. Virginio makes it the context in which men act with free will. On the other hand, no cobweb is woven specifically for an insect that gets entangled in it for a series of reasons that depend only on him. This is why those graphic (and photographic) threads take us back to a ritual that refers to oracles and predictions in which we perceive the work of the Fates "who spin lives for you mortals" and that of Penelope whose "plot" worked for years becoming a symbol of deception but also strategy. In Virginio's "signs" we thus read an ancestral yet current metaphor of existence: a game of taut threads that are a masterpiece of light and engineering, an astonishing succession of perfect weaves that are extremely fragile yet capable of withstanding weights, pressures and hurricanes, a dense and viscous texture which, however, from a distance appears sharp, essential, very clear." Text by Silvia Sfrecola Romani
Photography:Color on Paper
Artist Produced Limited Edition of:5
Size:47.2 W x 35.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Virginio Favale is an Italian photographer born in Velletri, Rome in 1969. His education and training took place between Rome and Milan where Virginio collaborated with the largest international advertising agencies such as Saatchi & Saatchi, TBWA, Young & Rubicam, McCann Erickson, Dentsu and many others. He currently lives between Rome and Tokyo where he moved in 2013. Since the early 90’s, Virginio has begun researching the pace of life in large cities. London, Tokyo and New York took much of his attention. Blurring, double exposure and then, with the advent of digital, kaleidoscopes are the most used techniques by Virginio, which are able to tell the best a multifaceted, eclectic vision always linked by a common thread: telling the life, speed, feelings that become, all together, collective consciousness. In Tokyo Virginio found his muse, his inspiration. Tokyo, the largest city in the world, is like a funfair for a street photographer like him who loves walking and cycling and, above all, spend days photographing. Icons such as taxis, signs, famous sites become the subjects of his early works. Then the focus shifts to people, loneliness and in particular to the building facades that become a real obsession. It is like it is possible to read on the facades all the emotions, life and connections the building contains.
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