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No little boy left Photograph - Limited Edition of 4
Thailand
Photography, Black & White on Paper
Size: 31 W x 30 H x 1.5 D in
Ships in a Box
Artist Recognition
Artist featured in a collection
About The Artwork
"Wherever he may wander, the artist will always find himself a stranger as he is the only legitimate citizen of the world which he inhabits. His lone, dissenting voice is society’s surest line of defence against its greatest enemy which is, of course, itself." (Dominic Rouse - Artist's Statement, 2007) 'No little boy left' is a mediaeval selfie - a portrait of the artist as a middle-aged man. The background is a composition derived from images taken of The Recoletta, a city-size cemetery in Buenos Aires, Argentina. A fitting backdrop for a man preoccupied with his own mortality. Artist - DOMINIC ROUSE Title - No little boy left Print - Epson Ultrachrome K3 Archival pigment inks Paper - Heavyweight acid free fibre-based matt paper Paper Size - 20" x 16" (51 x 41 cm) Image Size - 18" x 14" (46 x 36 cm) Frame Size - 31½" x 29½" (80 x 75 cm) Mount Size - 25½" x 23½" (65 x 60 cm) Edition - 4 Image Date - October 2003 Print Date - July 2007 Catalogue - DHR042PI Condition - Excellent Heavy hardwood Larson-Juhl frame with museum glass Print held in place with paper corners. It can be removed freely. No adhesive used. Mount signed in pencil front lower right Print signed & numbered in pencil front lower right Annotations & numbered artist stamp on rear
Details & Dimensions
Photography:Black & White on Paper
Artist Produced Limited Edition of:4
Size:31 W x 30 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Thailand.
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Thailand
Dominic Rouse has been described as one of the most interesting photographers working today. He is a visionary in the truest sense of the word and his work probably has more in common with painting than photography. Brooks Jensen, the editor of America's LensWork Magazine, has said that Rouse does not take pictures of the world, he makes photographs of his mind. His unique vision and mastery of his craft set him apart from most of the other photographers who use the computer in their practice. His work may appear to be rooted in the past but it is the product of a seamless blend of the latest digital technologies and the timeless qualities of large format black and white photography.
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