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This artwork comes from the series: The Full Inevitably Empty, where I ask myself the question: what is "beauty". How do we understand it, how we perceive it, feel it. Do we take for granted the things that we own or achieve. Or maybe its all a big mistake, a prestidigitator's tricks? Is beauty important in social media and information overload and if so, are we even able to differ what's real and what's not anymore? Digitization, filters, artificial intelligence and common accessibility to graphic design applications surely will make these questions hard to answer and maybe next generation won't even ask them because it will be normal in the future that we are surrounded by never aging replicas, morphs or holograms living in a digitized world. Each image also comes with its own story inspired loosely by tales, fables, myths and legends from the Middle Ages, Renaissance period and even North mythology. In the Object Of Art And Presumption artwork we see rotten apple and an arrow. White marble bust of something that resembles female figure has marks on the surface which are an indication of illness and slow decay. At the foot of the figure lays a head of a bull in an advance state of decomposition. The arrow reminds us about famous story of William Tell which can be perceived as a symbol of rebellion against tyranny but also is a comparison to a number of other myths or legends, specifically in Norse mythology present in the story of Egil in the Thidreks saga. One should see much further beyond the context of sagas and tales as something which is rotten or in a state of decomposition isn't supposed to be beautiful but that's how generosity of humans perceive state of things and art. Presented by me Objects Of Art are merely scratching the surface as wide and complex as the concept of beauty but isn't it the artist's role to ask even the most difficult questions. Comes with holograms and Authenticity Certificate with water marks. PRINTED ON: Hahnemühle Photo Rag White 310 g/m2 . PRINTED AREA IS 62cm by 74cm. - 3CM WHITE BORDER FROM EACH SIDE -
This artwork comes from the series: The Full Inevitably Empty, where I ask myself the question: what is "beauty". How do we understand it, how we perceive it, feel it. Do we take for granted the things that we own or achieve. Or maybe its all a big mistake, a prestidigitator's tricks? Is beauty important in social media and information overload and if so, are we even able to differ what's real and what's not anymore? Digitization, filters, artificial intelligence and common accessibility to graphic design applications surely will make these questions hard to answer and maybe next generation won't even ask them because it will be normal in the future that we are surrounded by never aging replicas, morphs or holograms living in a digitized world. Each image also comes with its own story inspired loosely by tales, fables, myths and legends from the Middle Ages, Renaissance period and even North mythology. In the Object Of Art And Presumption artwork we see rotten apple and an arrow. White marble bust of something that resembles female figure has marks on the surface which are an indication of illness and slow decay. At the foot of the figure lays a head of a bull in an advance state of decomposition. The arrow reminds us about famous story of William Tell which can be perceived as a symbol of rebellion against tyranny but also is a comparison to a number of other myths or legends, specifically in Norse mythology present in the story of Egil in the Thidreks saga. One should see much further beyond the context of sagas and tales as something which is rotten or in a state of decomposition isn't supposed to be beautiful but that's how generosity of humans perceive state of things and art. Presented by me Objects Of Art are merely scratching the surface as wide and complex as the concept of beauty but isn't it the artist's role to ask even the most difficult questions. Comes with holograms and Authenticity Certificate with water marks. PRINTED ON: Hahnemühle Photo Rag White 310 g/m2 . PRINTED AREA IS 62cm by 74cm. - 3CM WHITE BORDER FROM EACH SIDE -
This artwork comes from the series: The Full Inevitably Empty, where I ask myself the question: what is "beauty". How do we understand it, how we perceive it, feel it. Do we take for granted the things that we own or achieve. Or maybe its all a big mistake, a prestidigitator's tricks? Is beauty important in social media and information overload and if so, are we even able to differ what's real and what's not anymore? Digitization, filters, artificial intelligence and common accessibility to graphic design applications surely will make these questions hard to answer and maybe next generation won't even ask them because it will be normal in the future that we are surrounded by never aging replicas, morphs or holograms living in a digitized world. Each image also comes with its own story inspired loosely by tales, fables, myths and legends from the Middle Ages, Renaissance period and even North mythology. In the Object Of Art And Presumption artwork we see rotten apple and an arrow. White marble bust of something that resembles female figure has marks on the surface which are an indication of illness and slow decay. At the foot of the figure lays a head of a bull in an advance state of decomposition. The arrow reminds us about famous story of William Tell which can be perceived as a symbol of rebellion against tyranny but also is a comparison to a number of other myths or legends, specifically in Norse mythology present in the story of Egil in the Thidreks saga. One should see much further beyond the context of sagas and tales as something which is rotten or in a state of decomposition isn't supposed to be beautiful but that's how generosity of humans perceive state of things and art. Presented by me Objects Of Art are merely scratching the surface as wide and complex as the concept of beauty but isn't it the artist's role to ask even the most difficult questions. Comes with holograms and Authenticity Certificate with water marks. PRINTED ON: Hahnemühle Photo Rag White 310 g/m2 . PRINTED AREA IS 62cm by 74cm. - 3CM WHITE BORDER FROM EACH SIDE -
This artwork comes from the series: The Full Inevitably Empty, where I ask myself the question: what is "beauty". How do we understand it, how we perceive it, feel it. Do we take for granted the things that we own or achieve. Or maybe its all a big mistake, a prestidigitator's tricks? Is beauty important in social media and information overload and if so, are we even able to differ what's real and what's not anymore? Digitization, filters, artificial intelligence and common accessibility to graphic design applications surely will make these questions hard to answer and maybe next generation won't even ask them because it will be normal in the future that we are surrounded by never aging replicas, morphs or holograms living in a digitized world. Each image also comes with its own story inspired loosely by tales, fables, myths and legends from the Middle Ages, Renaissance period and even North mythology. In the Object Of Art And Presumption artwork we see rotten apple and an arrow. White marble bust of something that resembles female figure has marks on the surface which are an indication of illness and slow decay. At the foot of the figure lays a head of a bull in an advance state of decomposition. The arrow reminds us about famous story of William Tell which can be perceived as a symbol of rebellion against tyranny but also is a comparison to a number of other myths or legends, specifically in Norse mythology present in the story of Egil in the Thidreks saga. One should see much further beyond the context of sagas and tales as something which is rotten or in a state of decomposition isn't supposed to be beautiful but that's how generosity of humans perceive state of things and art. Presented by me Objects Of Art are merely scratching the surface as wide and complex as the concept of beauty but isn't it the artist's role to ask even the most difficult questions. Comes with holograms and Authenticity Certificate with water marks. PRINTED ON: Hahnemühle Photo Rag White 310 g/m2 . PRINTED AREA IS 62cm by 74cm. - 3CM WHITE BORDER FROM EACH SIDE -
This artwork comes from the series: The Full Inevitably Empty, where I ask myself the question: what is "beauty". How do we understand it, how we perceive it, feel it. Do we take for granted the things that we own or achieve. Or maybe its all a big mistake, a prestidigitator's tricks? Is beauty important in social media and information overload and if so, are we even able to differ what's real and what's not anymore? Digitization, filters, artificial intelligence and common accessibility to graphic design applications surely will make these questions hard to answer and maybe next generation won't even ask them because it will be normal in the future that we are surrounded by never aging replicas, morphs or holograms living in a digitized world. Each image also comes with its own story inspired loosely by tales, fables, myths and legends from the Middle Ages, Renaissance period and even North mythology. In the Object Of Art And Presumption artwork we see rotten apple and an arrow. White marble bust of something that resembles female figure has marks on the surface which are an indication of illness and slow decay. At the foot of the figure lays a head of a bull in an advance state of decomposition. The arrow reminds us about famous story of William Tell which can be perceived as a symbol of rebellion against tyranny but also is a comparison to a number of other myths or legends, specifically in Norse mythology present in the story of Egil in the Thidreks saga. One should see much further beyond the context of sagas and tales as something which is rotten or in a state of decomposition isn't supposed to be beautiful but that's how generosity of humans perceive state of things and art. Presented by me Objects Of Art are merely scratching the surface as wide and complex as the concept of beauty but isn't it the artist's role to ask even the most difficult questions. Comes with holograms and Authenticity Certificate with water marks. PRINTED ON: Hahnemühle Photo Rag White 310 g/m2 . PRINTED AREA IS 62cm by 74cm. - 3CM WHITE BORDER FROM EACH SIDE -
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Object Of Art And Presumption - Limited Edition of 20 Photograph

Patryk Kuleta ᵗʳʸⁿᶦᵈᵃᵈᵃ ᴾᴷ

Poland

Photography, Digital on Paper

Size: 26.8 W x 31.5 H x 0 D in

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About The Artwork

This artwork comes from the series: The Full Inevitably Empty, where I ask myself the question: what is "beauty". How do we understand it, how we perceive it, feel it. Do we take for granted the things that we own or achieve. Or maybe its all a big mistake, a prestidigitator's tricks? Is beauty important in social media and information overload and if so, are we even able to differ what's real and what's not anymore? Digitization, filters, artificial intelligence and common accessibility to graphic design applications surely will make these questions hard to answer and maybe next generation won't even ask them because it will be normal in the future that we are surrounded by never aging replicas, morphs or holograms living in a digitized world. In the Object Of Art And Presumption artwork we see rotten apple and an arrow. White marble bust of something that resembles female figure has marks on the surface which are an indication of illness and slow decay. At the foot of the figure lays a head of a bull in an advance state of decomposition. The arrow reminds us about famous story of William Tell which can be perceived as a symbol of rebellion against tyranny but also is a comparison to a number of other myths or legends, specifically in Norse mythology present in the story of Egil in the Thidreks saga. One should see much further beyond the context of sagas and tales as something which is rotten or in a state of decomposition isn't supposed to be beautiful but that's how generosity of humans perceive state of things and art. Presented by me Objects Of Art are merely scratching the surface as wide and complex as the concept of beauty but isn't it the artist's role to ask even the most difficult questions. Comes with holograms and Authenticity Certificate with water marks. PRINTED ON: Hahnemühle Photo Rag White 310 g/m2 . PRINTED AREA IS 62cm by 74cm. - 3CM WHITE BORDER FROM EACH SIDE -

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:20

Size:26.8 W x 31.5 H x 0 D in

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IMPORTANT NOTICE!! Soon all the artworks won't be available for sale anymore here on Saatchi, so be quick I you want to own a piece of my high quality and original art. "My work as an artist, Patryk Kuleta aka Trynidada aka BOSSCO, is a celebration of colour, form, and emotion. I believe that art should evoke a response in the viewer and my goal is to create pieces that are not only visually stunning but also thought-provoking. I draw inspiration from the world around me, including nature, culture, and personal experiences, and translate these inspirations into vibrant and surreal compositions. My process is driven by experimentation and a willingness to take risks. Through my work, I'm aiming to challenge our perception of reality and invite everyone to question the norms and conventions of our society.. Through my art, I hope to inspire others to be curious, to question their assumptions, and to see the world in new and exciting ways. I am a multidisciplinary artist, working with a range of mediums including painting, drawing, digital art, and moving picture. Each piece is a unique expression of my vision and a reflection of my ongoing journey as an artist. My hope is that my work will continue to evolve and challenge both myself and my audience."

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