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Plate 332. Pied Duck (Labrador Duck) Photograph - Limited Edition of 5

Ian Campbell

United States

Photography, Black & White on Paper

Size: 55.9 W x 43.2 H x 3.8 D cm

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Plate 332. Pied Duck (Labrador Duck) Extinct. Last known specimen shot on the Chemung River, Elmira, NY, 1878. From "After Birds," an ongoing series of infrared photographs documenting the habitats of extinct, endangered, and disappearing species of American birds. The sites depicted are locations ...

Year Created:

2020

Subject:
Mediums:

Photography, Black & White on Paper

Rarity:

Limited Edition of 5

Size:

55.9 W x 43.2 H x 3.8 D cm

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I am a Western New York based artist practicing a range of traditional and experimental photographic techniques. My artistic work builds on the tradition of Natural History. I use photography and other media to create a subjective, poetic record of my interactions with the Natural World. Often, I reference the work of early 19th century photographers, artists, and naturalists as a way of illuminating the present and imagining the future. Ecological melancholy is a recurring theme: my images simultaneously embrace hope and despair--the thrill of new discoveries and the trauma of environmental loss. Before deciding to pursue Art as a vocation, I briefly considered a career in Biology, and I still frequently employ a quasi-scientific approach to art-making. I am captivated by the unknown, the unseen, and the unrepresentable, and I deliberately use the technical limitations of photography to evoke the limits of human knowledge and engage the viewer’s imagination.

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