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Roads where we're going (Ensign Broderick record Shoot) Photograph - Limited Edition of 10

Stefanie Schneider

United States

Photography, Color on Archival C-print, Based On The Polaroid

Size: 23.6 W x 18.9 H x 0.1 D in

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About The Artwork

Roads where we're going (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x60cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #21776. Not mounted. "Ensign Broderick record Shoot 'Blood Crush' - Bombay Beach, CA" is an ode to the beauty found within decay, strangeness, and brokenness. Schneider's masterful curation of instant snapshots captures the essence of human longing and curiosity, while the haunting melodies of Ensign Broderick's music resonate with the enigmatic atmosphere of Bombay Beach. This exhibition invites spectators to revel in the beauty of the present moment, where time stands still, and the boundaries of reality and imagination intertwine. Prepare to be transported to a realm of cosmic wonder and profound emotions, where art and music converge to create an immersive experience that leaves an indelible mark on the soul. 

Details & Dimensions

Photography:Color on Archival C-print, Based On The Polaroid

Artist Produced Limited Edition of:10

Size:23.6 W x 18.9 H x 0.1 D in

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Stefanie Schneider lives and works in the High Desert of California. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream-scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. She is currently working on the 29 PALMS, CA. 29 PALMS, CA is a feature film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. A defining feature of the film is the use of still images and the use of voice over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears and dreams. The film is to be shot using a mix of super 8 and 16mm film stock and Polaroid images. Certain computer-generated effects will also be used to enhance the films surreal mood and to animate its dark humor. Radha Mitchell, Marc Forster, Udo Kier, Max Sharam among others are participating in the project. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles.

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