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View In My Room
Photography, Black & White on Paper
Size: 53.7 W x 30.2 H x 0.1 D in
Ships in a Tube
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This photo was taken of the West Hollywood protest of Dobbs v. Jackson Women's Health Organization, overturning women's reproductive rights, and overturning Roe v. Wade. It was inspired by much more than that, including an apparatus made up of multiple non-profits, volunteers, and small-money donors from around the country, and even around the world. This is what our brighter tomorrow looks like, because the only thing that can give us hope for the future – is us. In this poignant black and white photograph in West Hollywood, a transgender trans-man wearing glasses leads the emotional rally against the erosion of reproductive rights, tears streaming down his face as he addresses the crowd from the podium. The sign in the background reading 'Freedom Of & From Religion' underscores the intersectionality of the protest's message. Inspired by photographers like Diane Arbus, Robert Frank, and Sebastião Salgado, this image captures the raw emotion of resistance and solidarity in the face of oppression, offering a powerful testament to the ongoing fight for justice and equality. An example of Post Colonial art style. Profits from this project will go towards buying new equipment and supplies to launch a bold new series of works. All original sales are signed on the back and have a certificate of authenticity provided. Picture dimensions do not include an additional white matte border.
2022
Black & White on Paper
25
53.7 W x 30.2 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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United States
Ricardo Tomasz is an artist in photography, painting, collage, video, performance art, and occasionally body hair. He was born and raised in Hungary, to a Hungarian mother, and a Spaniard father. They died when he was 16, but their passing allowed him to tour and study at some of the finest Art Universities in Europe. He came to America, thrusting himself into the art scene. He was in and out, in and out, and in and out of America over several years, until finally settling in Los Angeles as an artist, designer, and occasional human crosswalk sign. He is a valuable contributor to the Greater and Grander Artist collective.
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