VIEW IN MY ROOM
Signed Limited Edition Fb Print, 'Swords", Abruzzo, Italy 2022 Photograph
Italy
Photography, Black & White on Paper
Size: 4.7 W x 4.7 H x 0.1 D in
Ships in a Box
About The Artwork
Thorns, mucrons and spines are archetypal forms of resistance and adaptation. The fragility and tenacity of nature are condensed in this small wild plant, which seems to assume a defensive posture. This photo was taken in the field with natural light and no plants were cut. Handmade silver gelatin print by artist. Handmade in the photographer's darkroom, quality print on fiber. Front: signed with edition number on acid-free ink backing.
 Verso: signed, dated and inscribed with title in pencil.
 Paper: Ilford Multigrade IV Fb Fiber (Glossy), 12x12 cm Limited Edition of only 10 original pieces. The artwork is not framed, but is installed by hand on a 30x40 cm (1,18x1,57 Inches) wide Carson museum passepartout. Each silver print is selenium toned for added archival permanence which will give many years of viewing pleasure if cared for and displayed correctly. Every Print came with the own Certificate of Authenticity, signed and dated from Francesco Mussida.
Details & Dimensions
Photography:Black & White on Paper
Artist Produced Limited Edition of:10
Size:4.7 W x 4.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Francesco Mussida is an Italian photographer with deep knowledge in silver gelatin printing. His works on plants reflect deep attention to the way nature expresses its language through forms, movements and propagations. For these works he chose the form of the portrait as a method of all-encompassing observation towards light, subject and air. Each portrait is made in the field with the precise intention of respecting environmental influences. He chose a totally analog approach, using exclusively vintage cameras and following the methods of manual processing of film development and printing. The mission behind this choice is to preserve a natural space between observer and observed subject, avoiding any kind of digital interpretation and always keeping involved natural variables such as light, time and emotions. Since 2016 he has been teaching film development and analog printing techniques and runs a blog entirely dedicated to analog culture www.stampaanalogica.it
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