VIEW IN MY ROOM
I had just visited this church just as morning mass had ended and was taken on a tour of it by the priest. It was magnificent inside. As I drove away, I stopped momentarily to take one last shot of the exterior and was lucky to have clicked the shutter just as the priest was walking away after his duties. I hope the viewer will feel the same peace and glory of this scene and appreciate the clearness of the skies as normal for Northern New Mexico's pueblo environs. I doubt a skilled painter could capture the clear air and vivid color in my scene. Nothing in this photo was manipulated and it is all natural photography. No tricks.
Original Created:2016
Subjects:Religious
Photography:Color on Paper
Artist Produced Limited Edition of:1
Size:15 W x 20 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
George ‘Zip’ André After nearly seven decades as a pilot, serving as an International airline captain, a test pilot at the edge of space, racing and airshows, and combat in the skies over Vietnam, I am fulfilling a long-held dream of making photographic art. Having had a lifetime of viewing the landscape from high altitudes and at great speeds, my photographs are an effort to slow down the passage of time and space; to focus on the architectural details and current condition of those Depression-era structures that are—not coincidentally—about the same age as I am. I favor black-and-white compositions because to me, they more closely represent the feeling of times past; they also distill compositional elements in a way that emphasizes the play between light, shadow, shapes, patterns, and textures. As a child, having traveled west many times with my family, I am drawn to the vernacular landscapes of the route 66 Mother Road environs, New Mexico pueblo settings, and dust bowl survivor atmosphere slowly disappearing from the American landscape. I try to capture and preserve these disappearing fragments not as a documentarian, but rather as a unique individual, passionate about making visible those fleeting photographic memories as I now see them. The other appeal to my lens is an appreciation for the patterns and order of man-made or natural arrangements of repeated elements, symmetric or near symmetric with a strong geometric flavor.
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