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Boris Andreas Duhm
Germany
Photography, C-type on Aluminium
Size: 58.1 W x 47.4 H x 2 D in
Ships in a Crate
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456 Views
2
Artist featured in a collection
The Concilium is a staged photograph of a photo performance, taken on 6 x 7 cm negative and enlarged analogously on Fuji gelatin photo paper. The work is fully analog, no digital manipulation or editing has been applied. The image is taken near Oranienburg / Berlin. Edition: Size: 31.2 x 38.3 inch - edition 2/3 + 1 AP Size: 47.4 x 58.1 inch - edition 1/3 + 1 AP All prints of Garden Eden Performance are strictly analog and mounted on Aluminum, framed with a white vanished wooden frame and protected by acrylic glass. The photographs to Garden Eden Performance mirror a mental state of our civilization. A perception of aimlessness and lack of meaning occurs as symptomatic for the lives of modern individuals. Philosophers describe this tendency as a shift of our perception: we see reality as something irrational. Vice versa, fiction is taken as fact. In the Garden Eden Performances, the protagonists play archetypal rolls , in which simultaneous actions have no longer rational reasons nor relations but are connected on an associative level. All photographs are planned in detail. They are staged with laities or professional actors.
2009
C-type on Aluminium
1
58.1 W x 47.4 H x 2 D in
White
Not applicable
Ships in a Crate
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Germany.
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Boris Duhm is born 1971 in Aachen, Germany. He lives and works in Germany Artist Statement Boris Duhms works deal with a visualisation of the mental state of our societies, the contemporary conditio humana. When a situation becomes an image it can become symbolic and gain a political and social dimension. Already in 2007 the philosopher Jean Baudrillard pointed out a change of human perception: reality is percepted as something irrational, vice versa fiction is taken as fact. Boris Duhm ́s analogue photo-stagings, sculptures, paintings, drawings, performances and collages are a journey into this interspace of reality and perception. The figures, which are represented on images or three-dimensional in the exhibition- or in public-space, reveal their nature primal to a closer look. They seem to merge into the environment they move in. Often the fictional places on Boris´ photographs are located in nature, which change into stages on the purely analogue photographs by the existentialistic artist. Here the human drama is performed. Duhm succeeds in transforming the real place into a collective place of memory, where everybody can find oneself in pictures of memory of his own life. The disguised figures populating these places are not themselves but have fulfilled a metamorphosis. They reside in an as-well-as, in a condition of refraction. In "Self as Fern" for example, the artist goes far beyond masquerade: in a mimetic gesture the artist really transforms into a primeval plant. Especially in his latest works, the radicalness of Boris Duhm ́s artist position shows a clear political and social concern and tries to get to the bottom of the authenticity of photographic imprints themselves. To see more of Boris Duhms work, please visit his website . Boris´ artworks are represented internationally by galleries, collections, museums and privat collectors. Boris Duhm has been working as teacher for fine art and photography at various universities and art schools in Europe and Asia. Search "Boris Duhm" on google !
Artist featured by Saatchi Art in a collection
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