23 Views
4
View In My Room
Stefanie Schneider
United States
Photography, Color on Other
Size: 7.9 W x 7.9 H x 0.1 D in
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23 Views
4
Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
The Farmer and his Wife (American Depression) - 2004 featuring Radha Mitchell and Skeet Urich 20 x 20 cm, Edition of 10, plus 2 artist Proofs. Archival C-Prints based on the original Polaroid. Signature label and certificate. Artist Inventory 2919. Not mounted. (Also available: 50x49cm, Edition of 10, plus 2 Artist Proofs - 700US$) “How can we live without our lives? How will we know it's us without our past?” ― John Steinbeck, The Grapes of Wrath Stefanie Schneider's new photographic works tell fantastic stories about her adopted Californian home. She seeks out faded American myths and distills a charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low-budget movie effects are combined to an alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset... Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangely alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the expired film stock emphasizes the fragility of the icon even more. FlashART - Sabine Dorothee Lehner
2004
Color on Other
10
7.9 W x 7.9 H x 0.1 D in
Not Framed
No
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Stefanie Schneider lives and works in the High Desert of California. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream-scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. She is currently working on the 29 PALMS, CA. 29 PALMS, CA is a feature film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. A defining feature of the film is the use of still images and the use of voice over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears and dreams. The film is to be shot using a mix of super 8 and 16mm film stock and Polaroid images. Certain computer-generated effects will also be used to enhance the films surreal mood and to animate its dark humor. Radha Mitchell, Marc Forster, Udo Kier, Max Sharam among others are participating in the project. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles.
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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