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María Fernanda Pallares
Uruguay
Photography, Ink on Paper
Size: 5.6 W x 7.4 H x 0.1 D in
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This is a photogravure hand pulled on a traditional etching press. This is print number 6, part of a limited and varied edition of 13 prints, each with intentional differences resulting from the way the artist inked the copper plate and using different colors, sometimes just black etching ink, sometimes with brownish ink. The image, constructed from a photograph taken by the artist, belongs to a series on Natural History Museums. The Natural History Museum in London has a beautiful building, conceived as a `cathedral to nature’, which she takes the opportunity to visit on every trip. Please pay attention to the size of the paper with the white margin. Print image size: 5,6 inches x 7,4 inches (14,3cm x 18,7 cm) Paper size: 11 inches x 15 inches (28cm x 38cm) A photogravure is a print made by hand from a copper plate used as a matrix. The process, also called ‘photogravure on copper plate’, sometimes ‘heliogravure’, was developed in the 19th century and it is currently practiced by few studios in the world. The technique involves working with a sensitized gelatin and etching a copper plate with a mordant that leaves a bas-relief in the metal. It is this bas-relief that will contain the ink that will be transferred to the paper by passing it through a press, in the same way as a ‘traditional’ etching. The way the ink is transferred to the paper, intaglio style, provides a powerful surface to the print.
2022
Ink on Paper
13
5.6 W x 7.4 H x 0.1 D in
Not Framed
No
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Uruguay.
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María Fernanda Pallares is an Uruguayan artist who focuses her artistic practice on printmaking and approaches photography from a perspective in which manual work predominates. Fernanda pays special attention to the material supports and techniques that give us a more tactile and intimate experience with photographic images. Combining it with contemporary techniques, Fernanda takes advantage of a late 19th century procedure called Photogravure on copper plate. This is a printing technique so cumbersome that, despite being appreciated for its beauty and the character it gives to the surface, it is currently practiced by few studios in the world. This exceptional nature gives the results of this printing process an additional symbolic meaning. You can consult the site which is an excellent source to spread the qualities for which photogravure prints are so appreciated.
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