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The ministry 's of vision.  Photograph - Limited Edition of 10

Nuno Marcelino

Portugal

Photography, Black & White on Aluminum

Size: 40 W x 60 H x 0.1 D in

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$1,420

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About The Artwork

  Tryptic tintypes 180mm x 80mm wet collodium HD scan of the tintypes printed on cotton paper. Always annoyed me not being able to see my own head . The situation was summed up in this: I saw the head of the others , but not see my head . Everyone told me it was normal , but I have not settled on not see a thing , moreover, was mine. If I saw the head of the other from the mine, so I should saw my head as if only from the head of the other . I began to find it all very strange and have a lot of headaches . I finally decide matches to make an appointment . The doctor , after examining me and making me several questions and hearings , was finally able to present the diagnosis: after all I had was not having head. Had already appeared more cases like this to him, people who do not remember the moment were they lost the head, but still remain with many headaches .                                                                           Antonio Pocinho in                                                                   " Cold feet inside the head "

Details & Dimensions

Photography:Black & White on Aluminum

Artist Produced Limited Edition of:10

Size:40 W x 60 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1973 in the picturesque city of Marinha Grande, Nuno Marcelino had his first encounter with the photographic universe at the age of 12, in a small shop owned by a photographer near his mother's house. There, he spent endless hours, curiously absorbing the entire process developed in the studio and darkroom. Later, he moved to Lisbon, worked as a production assistant, and joined the photography department of the now-defunct newspaper "O Independente." As a student of the professional photography course at the Portuguese Institute of Photography, he simultaneously worked as a photographer and assistant at the Studio3.11 Collective in Lx Factory. This experience allowed him to collaborate with prominent names in photography, nationally and internationally, in the fields of fashion, architecture, and advertising portraiture. In addition to his work in wet plate collodion, Nuno Marcelino possesses extensive experience as a photographer and video producer, both in Portugal and internationally. Utilizing digital equipment, including professional cameras and drones, he has demonstrated his expertise in capturing moments and producing visually compelling content. His proficiency extends to the entire process, from shooting to editing, showcasing his versatility and skill in the realm of modern photography and videography. However, during this journey, something was lost in the essence that initially inspired him: the rapid massification of digital almost extinguished darkroom work. The search for an alternative led Nuno Marcelino to recreate a process that, besides being fascinating in the final aspect of the images, brought back, in a very special way, "the darkroom." He dedicated himself intensely to the practice and research of chemical formulas and techniques of the wet plate collodion process for about six months. In 2013, he achieved a milestone by opening a small nineteenth-century portrait studio in Alfama, where he immortalized hundreds of people of various nationalities through this unique process. This project has transcended the studio's boundaries, temporarily settling in various museums, galleries, and institutions, spreading the magic and uniqueness of wet plate collodion. Nuno Marcelino's work is not just a technical rescue but an artistic and historical celebration that continues to enchant and captivate.

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