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View In My Room

Things Don't Need You Photograph - Limited Edition of 10

Sergio Cerezer

Brazil

Photography, Digital on Paper

Size: 27.6 W x 39.4 H x 0.1 D in

Ships in a Tube

$810

Shipping included

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41 Views

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ABOUT THE ARTWORK

- FINE ART PRINTS - Paper prints: Premium Hahnemuhle RAG 308 100% cotton paper - Printed: HP Z9 + DreamColor mineral pigment. - Canvas (direct contact via email): Canson Museum Pro Canvas 385 g/m2 100% cotton - Printed: HP Z9 + DreamColor mineral pigment. - Made in Brazil The Pinacoteca, from the Greek πίναξ (pinax, "picture") and θήκη (théke, "coffin", "closet"), is the place where painted works of art are kept, protected and offered for public use. The Pinacoteca only collects paintings on canvas, wood or other media, which makes it a much more specialized museum than museums of other types (ancient art museum, archaeological museum, science and technology museum, etc.). The term, as mentioned, originates from the Greek πίναξ and is indicated by various sources as any flat support for writing, but also for painting mainly votive images. In classical antiquity, votive tablets were hung over the images of deities in sanctuaries or sacred trees, but also in homes. Ancient sources indicate the art gallery as a place for displaying tablets of a religious nature. In Athens, a famous art gallery was located in a large room adjacent to the left wing of the Propylaea of the Acropolis.

DETAILS AND DIMENSIONS
Photography:

Digital on Paper

Artist Produced Limited Edition of:

10

Size:

27.6 W x 39.4 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The commonplace is usually left aside, it is not given due attention. Sounds are ignored, smells are sometimes unpleasant and uncomfortable, and are therefore also ignored. The songs are heard without understanding the poetry or feeling the beat. Thoughts speed up and the days, the minutes, the steps vanish into thin air. The meaning of the routes is lost. The sounds can be deafening, the senses are always heightened, conversations and human contact are latent. The space is covered step by step, often avoiding obstacles, people on the way. Walking blindly is denying what is latent, not realizing that the space is occupied and lives beyond. These are the steps, paths and lives of hundreds of people, including the one who writes these lines. To claim this space, I propose to tell the story of the place that has meaning for them and occupy these spaces, recording them in the time of a photograph.

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