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Untitled 03 from the series Emtpy Space, Limited Edition 1/15 Photograph
Eva Kalpadaki
United Kingdom
Photography, Giclée on Aluminium
Size: 39.4 W x 31.5 H x 0.1 D in
Ships in a Box
2362 Views
32
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Empty Space explores the relationship of the abstract photographic image to notions of interiority and exteriority as these relate to the transition from the unconscious to conscious reality. The photographs negotiate an abstract space of emptiness as a potential space of abstraction between a psych...
Year Created:
2007
Subject:
Styles:
Mediums:
Medium:
Photography, Giclée on Aluminium
Rarity:
One-of-a-kind Artwork
Size:
39.4 W x 31.5 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Eva Kalpadaki
United Kingdom
I love flirting with reality, which is always a challenge for me. My photographic practice is concerned with the perception of space, particularly of empty space from a psychoanalytical perspective, and the photographic representation of it in an abstract form as presented in the projects "˜Empty Space', "˜Part Objects' and "˜Red Space'. These works, which are based on using quiet and discreet performative gestures of intervening in the space, brought up a passion and interest in the potentialities of the line in relation to my experience with my surrounding space. Inspired by the abstract expressionist qualities in the images from the series "˜Red Space', I am currently exploring this by using the space of Photography as my canvas, which at the same time operates as a self-referential space for Photography itself. A first example of this can be seen in the image Slash, 2010.
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