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Watching The Doorway - Limited Edition 1 of 12 Photograph

Paul J Bucknall

United Kingdom

Photography, Digital on Paper

Size: 12 W x 18 H x 0.1 D in

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ABOUT THE ARTWORK

This conceptual mysterious image was produced in an abandoned industrial building. I wanted to convey a lonely eerie piece with the female figure watching the graffiti surrounded doorway. I hope the viewer can look at this image in many ways...is the seated figure in control of the situation waiting for someone to enter the large rundown room or is she in fear waiting for something more sinister to arrive. The image is an unmounted authentic work produced to the Giclée established fine art standard of quality printing. The work will be printed onto Hahnemühle Pearl, a cellulose-based fine art paper which provides a textured surface and smooth silky touch finish. Its special coating gives a subtle pearl-gloss effect finish and provides depth and detail to colour and high-quality black and white photography. A paper perfect for professional and exhibition quality art prints. An image size of 18x12 inch, with a white one inch white border surround for ease of mounting (making the overall print dimensions 20x14 inches). The artwork comes with a certificate of authenticity which will be signed and numbered with the edition size. Limited edition of 12 that will not be exceeded in the stated size and materials

DETAILS AND DIMENSIONS
Photography:

Digital on Paper

Artist Produced Limited Edition of:

12

Size:

12 W x 18 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As a multi disciplined international award winning photographer who strives for continual perfection and that perfection is just out of reach, elusive. Each image I believe can always be improved; can be changed; can have a deeper meaning hidden beneath the surface and it’s my intention to draw the viewer into that image. I draw inspiration from past generations of artists. I particularly like the darkness and tension within Caravaggio’s works, the technicality of Leonardo da Vinci and the abstraction of Vincent Van Gogh. Some of these ideas are easier to transfer into our medium due to the digitalised age. As a photographer we are currently in times where we can express ourselves through our work by changing and advancing our styles. Now forward thinking stock libraries like Arcangel are a portal to creativity where the only limits we have are our own imaginations. I often use Fibonnaci’s divine ratio, consciously or subconsciously, within my work. This theory runs as a constant throughout the universe being seen in nature, patterns and shapes. I have a real affinity for travel and I have been fortunate to visit over 70 countries. I have been able to interact with different people and cultures through these experiences. This travelling has helped me develop a style of observational photography, sometimes by watching an event unfold and second guess the subject. It has helped me with my curiosities about the world and seems to draw me in further by looking at the complexities and interactions surrounding life. It has opened up my senses by allowing me to see great cities to small villages; visiting ancient monuments; to viewing a solar eclipse; to feeling the force of nature through the sea and feel the power of hurricanes. I have been widely published in travel and tourism guides, books, magazines and billboards

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