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Margot van de Stolpe
Netherlands
Photography, Color on Other
Size: 23.6 W x 31.5 H x 0.4 D in
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72 Views
2
F L O R A I M A G O: B L O N D Tropistic floral portraits in modern-day photograms In this experimental series portraits of flowers are made by making photograms. These are contact prints without using a camera. It took almost four years to develop this way of making these special photograms with a distinct contemporary look and feel. This series captures the essence of the fleeting and airy existence of flowers in a watercoloristic way in botanical photograms. The collection forms a contemporary herbarium with compositional references to Ikebana in which the light is allowed to flood the plant like a blistering dawn. The ever expanding collection of this artistic herbarium aims to be a tribute to the magical blossoming and procreation of plant life in all its colours, forms and expression.
2020
Color on Other
7
23.6 W x 31.5 H x 0.4 D in
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Netherlands.
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Netherlands
After graduating from art college Margot designed monumental art on rollshutters for Hajenius and Bonebakker on the Rokin in Amsterdam. She also designed and executed 2 wallpaintings, 4 x 13 meters, for the church of the Sacred Hart in Haarlem. In 1995 she established 'The Monumental Tile', a studio for designing mainly monumental art on tile tableaus for interiors. Her work is characterised by a powerfull, virtuous designlining with an expressive monumental idiom. Since 2010 Margot is a member of art movement 'Tropism'. Her autonomous work consists mainly of photography and photocollages. Patterns and elements of landscapes are combined in order to create a new perception of reality. Patterns derived from nature, are the underlying structure that is under pressure and is moulded and shaped. She works like a painter with photographic material that she builds by stacking several layers on top of each other and composes thereby a new vision on reality.
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