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Photography, Digital on Paper
Size: 15.7 W x 10.9 H x 0.1 D in
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From the Series “Huejotzingo Carnival” During this two year journey, as an observer, living the party, as if I was part of it (body and soul) and being prepared for this fascination for their popular past and it´s monumental impact in the relation between history and popular traditions. The iron, the party, the paradox that it promotes it´s not strange, it´s not so much the past but rather than displacement of past objects, which implies their relocation and reúne and therefore, their transformación into this reality of popular culture. ------------------------------------------------ You can find more information and more images of this series and more visual art at ------------------------------------------------ Printed edition without frame: 1/10, 2/10 Limited to an edition of 10 regardless of size. This means that I will produce only 10 original signed prints of this image, regardless of size. Image size: 15.75x10.9”, paper size: 18x13.39”. Signed and numbered on the back of the image. Comes with signed and numbered Certificate of Authenticity. The print is a Giclée on Thick 230 gr Coated Matte paper, Please note that the estimated production time is 10 to 15 business days as this limited edition artwork is made to order. Please let me know if you are interested in purchasing an image not listed in the Saatchi Art Gallery so I can arrange the sale for you.
2017
Digital on Paper
10
15.7 W x 10.9 H x 0.1 D in
Not Framed
No
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Mexico.
Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
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I was born in Tulancingo, Hidalgo, Mexico. I now live in Mexico City. My work explores the combination of ideas that go through architecture and plastic art, feeling the need go place the human figure at the center of everything, thinking about space as an experience, this is a starting point for creation, to touch the senses, freedom and the human body. I use photography as a tool to experiment with digital and analog, with figuration and reality, I play with scales and experiments with objects with materials, such as painting ad sculpture, finishing the work with a intervened photograph with plastic techniques or digital, transforming images into dreams that are never related to each other, seeking to transfer ghosts to sensualism, using any pretense to tell a dream trapped between space and the senses.
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