view additional image 1
View in a Room ArtworkView in a Room Background
85 Views
2

VIEW IN MY ROOM

A_Selection_Of_66_From_JHG - Limited Edition of 33 Print

Walter van Rijn

United Kingdom

Printmaking, Digital on Paper

Size: 7.5 W x 9.8 H x 0.4 D in

Ships in a Box

info-circle
This artwork is not for sale.
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
85 Views
2

Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Walter van Rijn (Ed.) 2018 A_Selection_Of_66_From_JHG : Unconsumable Global Luxury Dispersion Artist's Book, Softback, Crown Quarto Format 246x189mm, 160 pp. 1 Wallpaper cover, 66 works and 2 essays. Limited Edition of 33 numbered and signed copies. If you would make art for robots, what would that look like? I imagine a human selection plus algorithms plus machinistic application creating 66 artworks. The selection of data is made from the John Hansard Gallery's exhibition history. More precisely, from a database which contains all of the artworks exhibited at the John Hansard Gallery between 1979 and 2016, based on what I thought would be ideal, beautiful data, or the meta-data of the exhibited artworks. This beautiful data is transformed, through algorithms, into images like minimalist cubes. You can also see it as infographics which tells a story about the creation and exhibition of each artwork. To select also implies to curate leading to exhibition and distribution. The database and ‘selections’ are exhibited at the John Hansard Gallery as part of the exhibition Time After Time with artists Caroline Bergvall, Victor Burgin, Hamad Butt, John Latham and Charlotte Posenenske. Through exhibition and independent distribution the artist’s book A_Selection_Of_66 creates a new flow of artworks and associated meta-data. During circulation parts of the artworks are endlessly copied (mostly their meta-data) while other parts remain unique. You could say that it is a function of the artworld to guard the distinction between the meta-data and the unique. However, in today's post-digital context of art making and art consumption, this distinction is not a given anymore and one of the starting points of my project here is to rethink that distinction. A_Selection_Of_66 starts with an article that describes the meta-data of an artwork (for example an artwork title) as the material the artist is going to work with or as the artwork itself. As a result of this switch between meta-data and 'artwork', a hybrid is created of both categories. Anticipating the ongoing circulation of this work, it will be interesting to see how this artist’s book will be absorbed into the artworld and its archives. Following on is an article Archival Machinations by Jane Birkin that delves deeper into the connection between the work of the archivist and the artist.

 The main part of the book contains a selection of 66 artworks. They are selected for their 'ideal' data, and based on this data each artwork is transformed into a different, unique visual entity that refers to minimalist cubes and infographics. A current ubiquitous form of graphics used in the news and in business reports to make sense of a complex set of data.

Details & Dimensions

Printmaking:Digital on Paper

Artist Produced Limited Edition of:33

Size:7.5 W x 9.8 H x 0.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

How Can You And I Ever Be Free In the 21st C? My work explores the natural and digital networked world and its many contradictions. From big data to detail, from large collections to one object, entities move through both these worlds and are transformed and hybridised by it. How Can You And I Ever Be Free In the 21st C?, is a question I keep on asking. And what is Freedom from human rights and environmental point of view? I create work that combines art and design, hybrids of image and text in digital and analogue form. The artworks can take any shape and have an unusual and speculative way of distribution and communication. Recently, I use meta-data as my material and create work in the form of typefaces, fictive collections and algorithmic text-based work. A cross-media practice which is dispersed alongside exhibited multi-media installations through printed matter, performances, public art, and websites. I am born in the Netherlands and live and work in the UK.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support