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The "Bristol Post" series of screenprints are based upon Soviet Russian stamps from the 1960s, a "tongue-in-cheek" imagining of an independent republic of Bristol, complete with its own propaganda department and postal system. "gert lush" means "really good" in Bristol's dialect "Bristle". The logo on the rocket's flag is from the famous Bristol Aeroplane Company. Both prints are a very limited hand-printed edition of 20 (Gert Lush) and 13 (Bristol Space Company). Each screenprint is hand-printed in five separate colours, signed and editioned.
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Bristol Post - Bristol Space Company - Limited Edition of 13 Print

Paul Ayers

United Kingdom

Printmaking, Screenprinting on Paper

Size: 14 W x 19 H x 0.1 D in

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$160

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About The Artwork

The "Bristol Post" series of screenprints are based upon Soviet Russian stamps from the 1960s, a "tongue-in-cheek" imagining of an independent republic of Bristol, complete with its own propaganda department and postal system. "gert lush" means "really good" in Bristol's dialect "Bristle". The logo on the rocket's flag is from the famous Bristol Aeroplane Company. Both prints are a very limited hand-printed edition of 20 (Gert Lush) and 13 (Bristol Space Company). Each screenprint is hand-printed in five separate colours, signed and editioned.

Details & Dimensions

Printmaking:Screenprinting on Paper

Artist Produced Limited Edition of:13

Size:14 W x 19 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Statement: I am primarily a painter, although I also explore ideas through printmaking and alternative photography (screenprinting and collagraphy and cyanotypes). In my painting practice I love the physical qualities of paint (particularly oil paint) and the myriad of textures, light effects, colour and illusions that you can achieve with them on a flat surface. So while my work represents objects in the real world, I strive to give the painted surfaces of my works an intensity and physical presence. I use photographic references (usually my own, sometimes found imagery) to construct imaginary places that could be real, but have a heightened sense of emotion and atmosphere. Influences include Peter Doig, Peter Blake, Caspar David Friedrich and Peter Howson. I am particularly interested in the idea of juxtaposition - such as setting artificial, man-made structures and elements against natural landscapes, so that objects seem out of place and "surreal". My current series of paintings and mixed-media cyanotypes reference promotional photographs of late 19th and early 20th century boxers, This "Fighters" series explores the juxtaposition of strong "masculinity" against "feminine" natural forms. I have exhibited my work in the Royal Cornwall Museum, Falmouth Art Gallery, Business Design Centre, Islington, Royal College of Art, Victoria Art Gallery, Bath and the Royal West of England Academy of Art.​ My work is in private collections in the UK and USA.

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