









Printmaking, Screenprinting on Paper
22 W x 29.9 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Print size: 42 x 59.4 cm Media size: 56 x 76 cm Media: Southbank Smooth 250gsm A screen print inspired by the Death and Destruction series of prints by Andy Warhol of an image taken from a 1960's Volvo press advert of a crashed automobile. Blue or Red Car Syndrome is sometimes called the Baader-M...
Year Created:
2021
Subject:
Styles:
Mediums:
Mediums:
Print, Screenprinting on Paper
Rarity:
Limited Edition of 5
Size:
22 W x 29.9 H x 0.4 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.I am an artist, print maker and sculpture born in 1964, London. Completing a BA in Fine Art at Newcastle Polytechnic in the mid 1980’s, focusing on sculpture. Following a successful career as a commercial art director I returned to art education in 2019 completing a Masters Degree in Fine Art with distinction at Winchester School of Art under the stewardship of Programme Leader and artist Nick Steward.
Influenced by Doris Salcedo, Jannis Kounellis, Mark Dion, Andy Warhol and the artworks of Robert Rauchenburg with his notion of the ready made or “Gifts from the Streets”, as Rauchenburg called it, in making art. Old newspaper articles, abandoned mattresses and domestic relics become charged with significance and saturated with meaning. The unwanted, redundant and obsolete have become my obsessions, like fragments of time, measured, catalogued and immortalised. My photographs, collages, prints and schematic assemblages transform these obsolescent items into poignant and commanding testimonies of loss and remembrance. I hope by cataloguing the things we throw away, to draw attention to the environment we live in, while asking the viewer to reconstruct stories, sparking memories that question the fragility of their own life.
Recognition:
Showed at the The Other Art Fair
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