VIEW IN MY ROOM
United Kingdom
Printmaking, Lithograph on Paper
Size: 5.6 W x 2.8 H x 0 D in
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Artwork description: A colour lithograph of a Journey to Swan Lake. The image brings together various views seen during a cycle ride to a lake near Cotford Saint Luke, near Norton Fitzwarren dam. The image explores how we recreate a journey taken in our minds, through the recompositioning of images in our memory, brough together to form how we remember a day's journey or visit to a place. The image is composed of six aluminum foil plates, each with a different aspect of an image seen drawn on top of it, which will print a specific colour to the fabrino paper. The process follows the water/ oil/ grease resist and allows an image to be drawn using a lithograph pencil and print the image using oil based printing ink. Materials used: Oil based printing ink, foil, acrylic sheet, fabriano paper, water, lithographic pencil Lithograph on Paper From a limited edition of 1 Size: 25 x 17.5 x 0.1cm (unframed) / 14.2 x 7cm (actual image size) Signed and numbered on the front Style: Impressionistic Subject: Landscapes, sea and sky
Printmaking:Lithograph on Paper
Original:One-of-a-kind Artwork
Size:5.6 W x 2.8 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My work currently explores fragility through layering and entropy. It responds to history, memory, the landscape and the human condition. These semi-abstract glimpses are drawn from observation when travelling, gathering images through sketching, photography and my memory. Paintings are layered over time as expressive moments of colour, line, print, masking, text, scrawled marks and memory. These form multi-layered paintings that are sanded back, revealing sections from the previous layers, now interacting with one another as a memorialised glimpsed journey. These journeys are inspired by research I’ve pursued from 2013-16. When attending residencies in Cyprus and Spain, I began re-exploring my relationship with the landscape; local and national histories; mythology; geology; pigments; various visiting cultures, their religions, and entropy. These ideas eventually lead to an interest in the effects of imperialism (2017), slavery (2018), lost generations (2019), the suffragette and civil rights movements (2020—21), other obscured histories and the culturally ignored (2022-present). Many aspects of these intersect and juxtapose with one another within my work, expressing memorial observations of history and landscape. These seek to enable an opportunity to investigate and explore previously obscured histories, through this form of landscape painting. *********************** Adam has travelled around the world delivering workshops and attending residencies in India, Mexico, Spain and Cyprus. His work exists in many collections around the world including Taiwan, Australia, USA, UK, France, Monaco, Italy, Czech Republic, Germany and includes commissioned work for the Malaca Instituto in Malaga and The World Reimagined with the globe titled 'Legacy: Echoes in the Present'. Grose runs a variety of workshops based on painting and printmaking, grounded in drawing skills and observation. He is a committee member of Go Create, an Artist Network member of the Royal West of England Academy in Bristol and a member of Axisweb.
Artist featured by Saatchi Art in a collection
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