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Wall St. 5 colour screen print on 9mm birch plywood with epoxy resin finish. 40x60cm. Edition of 12. 2018. This is probably my favourite piece from my series of NYC prints on wood. For this piece I was crouched down looking up at the skyscrapers of downtown Manhattan trying to capture both street level and the tops of the towering buildings. I captured a series of photographs of the same suited banker walking down Wall St. I pieced these together and erased all the other people and all the traffic to leave one lonely guy walking through the city. This piece really captures the buildings looming over our main character and is a window onto Manhattan ready for your wall. The prints on plywood have a subframe and d-ring on the reverse and are ready to hang requiring no framing. The subframe on the reverse make the print, when hung, appear to float an inch off your wall. The wood is a beautiful surface to print on, I love that each piece of wood has it’s own unique grain pattern and that although the prints are in an edition each of the pieces has it’s own character. The resin finish both protects the print and gives a stunning glossy finish, particularly on the areas of naked wood where it leaves the surface rich and glowing with life. There is another print on the reverse where they are titled, signed, numbered and dated.
Wall St. 5 colour screen print on 9mm birch plywood with epoxy resin finish. 40x60cm. Edition of 12. 2018. This is probably my favourite piece from my series of NYC prints on wood. For this piece I was crouched down looking up at the skyscrapers of downtown Manhattan trying to capture both street level and the tops of the towering buildings. I captured a series of photographs of the same suited banker walking down Wall St. I pieced these together and erased all the other people and all the traffic to leave one lonely guy walking through the city. This piece really captures the buildings looming over our main character and is a window onto Manhattan ready for your wall. The prints on plywood have a subframe and d-ring on the reverse and are ready to hang requiring no framing. The subframe on the reverse make the print, when hung, appear to float an inch off your wall. The wood is a beautiful surface to print on, I love that each piece of wood has it’s own unique grain pattern and that although the prints are in an edition each of the pieces has it’s own character. The resin finish both protects the print and gives a stunning glossy finish, particularly on the areas of naked wood where it leaves the surface rich and glowing with life. There is another print on the reverse where they are titled, signed, numbered and dated.
Wall St. 5 colour screen print on 9mm birch plywood with epoxy resin finish. 40x60cm. Edition of 12. 2018. This is probably my favourite piece from my series of NYC prints on wood. For this piece I was crouched down looking up at the skyscrapers of downtown Manhattan trying to capture both street level and the tops of the towering buildings. I captured a series of photographs of the same suited banker walking down Wall St. I pieced these together and erased all the other people and all the traffic to leave one lonely guy walking through the city. This piece really captures the buildings looming over our main character and is a window onto Manhattan ready for your wall. The prints on plywood have a subframe and d-ring on the reverse and are ready to hang requiring no framing. The subframe on the reverse make the print, when hung, appear to float an inch off your wall. The wood is a beautiful surface to print on, I love that each piece of wood has it’s own unique grain pattern and that although the prints are in an edition each of the pieces has it’s own character. The resin finish both protects the print and gives a stunning glossy finish, particularly on the areas of naked wood where it leaves the surface rich and glowing with life. There is another print on the reverse where they are titled, signed, numbered and dated.
Wall St. 5 colour screen print on 9mm birch plywood with epoxy resin finish. 40x60cm. Edition of 12. 2018. This is probably my favourite piece from my series of NYC prints on wood. For this piece I was crouched down looking up at the skyscrapers of downtown Manhattan trying to capture both street level and the tops of the towering buildings. I captured a series of photographs of the same suited banker walking down Wall St. I pieced these together and erased all the other people and all the traffic to leave one lonely guy walking through the city. This piece really captures the buildings looming over our main character and is a window onto Manhattan ready for your wall. The prints on plywood have a subframe and d-ring on the reverse and are ready to hang requiring no framing. The subframe on the reverse make the print, when hung, appear to float an inch off your wall. The wood is a beautiful surface to print on, I love that each piece of wood has it’s own unique grain pattern and that although the prints are in an edition each of the pieces has it’s own character. The resin finish both protects the print and gives a stunning glossy finish, particularly on the areas of naked wood where it leaves the surface rich and glowing with life. There is another print on the reverse where they are titled, signed, numbered and dated.
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Wall St - Limited Edition of 12 Print

Gerry Buxton

United Kingdom

Printmaking, Screenprinting on Wood

Size: 15.7 W x 23.6 H x 2 D in

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SOLD
Originally listed for $685
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Wall St. 5 colour screen print on 9mm birch plywood with epoxy resin finish. 40x60cm. Edition of 12. 2018. This is probably my favourite piece from my series of NYC prints on wood. For this piece I was crouched down looking up at the skyscrapers of downtown Manhattan trying to capture both street level and the tops of the towering buildings. I captured a series of photographs of the same suited banker walking down Wall St. I pieced these together and erased all the other people and all the traffic to leave one lonely guy walking through the city. This piece really captures the buildings looming over our main character and is a window onto Manhattan ready for your wall. The prints on plywood have a subframe and d-ring on the reverse and are ready to hang requiring no framing. The subframe on the reverse make the print, when hung, appear to float an inch off your wall. The wood is a beautiful surface to print on, I love that each piece of wood has it’s own unique grain pattern and that although the prints are in an edition each of the pieces has it’s own character. The resin finish both protects the print and gives a stunning glossy finish, particularly on the areas of naked wood where it leaves the surface rich and glowing with life. There is another print on the reverse where they are titled, signed, numbered and dated.

Details & Dimensions

Printmaking:Screenprinting on Wood

Artist Produced Limited Edition of:12

Size:15.7 W x 23.6 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Gerry Buxton is an illustrator and print maker based in South East London. He has produced commissioned illustration and print work for clients including The Tate Modern, London City Airport and the Marylebone Cricket club. His work mixes digital illustration with the time honoured discipline of screen printing. His illustrations describe the contemporary urban environment with both wit and a keen eye for detail.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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