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BLABLA resin Green
BLABLA resin Green
BLABLA resin Green Particular
BLABLA resin Green Particular
BLABLA resin Green Particular

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BLABLA resin Green Sculpture

Francesco Alpigiano

Italy

Sculpture, Resin on Wood

Size: 15.7 W x 15.7 H x 0.8 D in

Ships in a Crate

SOLD
Originally listed for $3,230

191 Views

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ABOUT THE ARTWORK

BLABLA resin series Blabla, (onomatopoeic expression, of international use, to indicate a vain speech or chatter, without construct), a conventional symbol of appearance, external behavior and denial of existence, assumes and interprets the reflected thought of our technological civilization and digital. The series of bas-reliefs "BLABLA resin" is part of a series of works characterized by homogeneity of themes and physical similarity in an orderly and continuous succession of elements of the same kind and by a research on materials and chromatic solutions where the alternation of symbols and colors materialize in infinite variables, the only constant of which is to repeat the same element in a logical and rational order: BLABLA-Lexical decomposition of the trivial and the banal Title: BLABLA resin Green Technique: Mixed technique Bas-relief size: cm. 40 x 40 x 2 Size with frame: cm. 49x 49 x 5 Year: 2020 Weight: Kg 4 Serie BLABLA resin Blabla, (espressione onomatopeica, di uso internazionale, per indicare un discorso o un chiacchiericcio vano, senza costrutto), simbolo convenzionale dell’apparenza, del comportamento esteriore e della negazione dell’esistenza, assume e interpreta il pensiero riflesso della nostra civiltà tecnologica e digitale. La serie di bassorilievi “BLABLA resin” fa parte di una serie di opere caratterizzate da omogeneità di temi e somiglianza fisica in un succedersi ordinato e continuo di elementi dello stesso genere e da una ricerca su materiali e soluzioni cromatiche dove l’alternarsi dei simboli e dei colori si materializzano in infinite variabili la cui unica costante è il ripetere in ordine logico e razionale lo stesso elemento steretipato: BLABLA-Decomposizione lessicale del futile e del banale Titolo: BLABLA resin Green Tecnica: Tecnica mista Dimensione bassorilievo: cm. 40 x 40 x 2 Dimensione con cornice: cm. 49x 49 x 5 Anno: 2020 Peso: Kg 4

DETAILS AND DIMENSIONS
Sculpture:

Resin on Wood

Original:

One-of-a-kind Artwork

Size:

15.7 W x 15.7 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

He began his training as an advertising graphic taking care of the image of the musical and cultural events of various associations of his city Nuoro. At the same time he began his artistic career experimenting pictorial techniques on alphanumeric typographic language. What interests him are some of the printing methods and in particular the typographic technique of the "relief form composed of movable type" (type), from which it draws inspiration; inspiration that begins to manifest itself in the works presented at the first national exhibition in which it participates, "Artefiera" of 1992 in Florence. His work is also appreciated by critics who recognize the award as the best young person under 25. The remarkable confirmation and the conceptual impact of pictorial representations of the symbols commonly called Type, had, and has, a primary importance in the symbolic research of the creative path elaborated by the artist in the following years. The method "Gutemberg - universal and primordial symbol of mass communication not only in the dissemination of culture, but also in the social and civil formation of peoples and in the progress of communication itself - is contextualized and used in pictorial representation, as a universal idiom of visual communication : the Type graphic sign evokes the immediate visual link between the object in its materiality (graphic sign engraved on a wooden parallelepiped) and its pictorial representation, which becomes the basis of global visual communication. In the work TypeCity, engobed red-clay bas-relief, created in 2003 and presented at the most important ceramics competition in Sardinia, the letters and numbers give a peculiar physiognomy to the work that takes on its characteristic alphanumeric code through the use of multiple characters types of different sizes and shapes which alternate and follow one another, in an absolutely random order, but in perfect compositional balance. Recent example of the use of Type is given by the pictorial series "Letters" started in 2008 with progressive numbering 01-236 and still in progress today. The fundamental step that broadens the cultural and artistic path of Francesco Alpigiano takes place in 1999 with the winning of the sculpture competition organized by the Costantino Nivola Foundation.

Artist Recognition
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